T3 Motion at NAB this week announced the launch of two new trailer systems designed specifically for film production.
The T3MT and T41 systems eliminate the need for tracks during shooting. The camera attaches to the vehicle rather than the camera operator.
The battery-powered vehicles go forward and reverse and include a cameraman seat, Steadicam and Glidecam mounting posts, and 7-inch HD monitor.
“Few products on the market facilitate tracking camerawork from 0-15 miles per hour — tracking shots at low speeds can be arduous and difficult to manage. Our T3 Motion broadcasting products provide a tracking platform that allow for a uniquely clean and efficient production process, facilitating tracking shots without operator fatigue,” stated T3 Motion CTO Ki Nam in a press release.
The T3MT and T41 Trailer packages start at $10,000.
At the NAB Show in Las Vegas this week, Adobe demonstrated its new version of Creative Suite 6 (CS6).
Pricing has not been announced, and the company was vague about the release date, other than to say it would be ready during the first half of 2012.
The suite includes Premiere Pro video editor, After Effects motion graphics effect generator, Photoshop image editor, Audition sound editor and mixer, and additional tools for disc authoring, media encoding, script development, production scheduling, color grading and more.
“The biggest updates to existing apps come to Premiere Pro, After Effects, and Photoshop,” reports PCMag. “CS6 Premiere Pro gets a redesigned and simplified user interface, with large view for the source and preview video at top left and right. The interface is still highly customizable, and you can even switch back to its previous layout and add and remove buttons to taste.”
“Clips can now be skimmed through with the cursor, a la Apple’s iMovie, and you can mark rough in and out edits right in the clip thumbnails,” explains the article. “Markers also get more power, with color coding; comments and durations can now be assigned to them, as well. A new trim mode shows both the outgoing and incoming frames, and there’s lots more keyboard shortcut support (10 assignable) for trims and trim modes. Effects can now be applied to multiple clips using layers and masks, not unlike in Photoshop.”
At NAB, Dolby 3D, a glasses-free display standard, was being shown on a smartphone, tablet, and a prototype 4K 56-inch display.
Interestingly, viewers can adjust the 3D depth to suit their preferences. While side viewing is possible, the 3D effect is most pronounced when viewing near the center.
“Best known for its audio technologies, the company just launched its own 3D standard in cooperation with Philips, called Dolby 3D,” reports Engadget. “The platform-agnostic solution is far from ready to make its way into your living room, but it’s conceptually sound, and the prototype 4K 3D TV and mobile versions being demonstrated at Dolby’s NAB booth make us hopeful for the future.”
“As with all displays — especially those that support 3D — you’ll really need to see to believe, but we had an opportunity to do just that, and walked away very impressed,” comments Engadget.
The post includes a 3-minute video report from the show floor.
Panasonic, Olympus and Sony are designing mirrorless cameras to compete with Canon and Nikon in the high-end SLR market.
IDC forecasts that global shipments of mirrorless cameras will grow 60 percent this year to 6.43 million units, compared to an 18 percent growth rate for SLRs.
“The challengers are hoping to gain market share from an emerging type of camera that packs high-end features into a compact design,” reports the Wall Street Journal.
“Like SLRs, these cameras come with large sensors and interchangeable lenses that produce high-quality images. But they don’t have the conventional mirror-based viewfinders that reflect the image to the photographer’s eye. Instead, the image is digitized, allowing for a more compact body,” explains the article.
Additionally, the mirrorless models are generally more affordable than digital SLRs.
Despite the economic downturn, television is experiencing a new “golden age” in both creative and business terms, according to Bruce Rosenblum, president of Warner Bros. Television Group.
“Revenue from international has improved dramatically. The domestic broadcast, cable and syndication businesses are at a high point, and there are new buyers” such as Netflix and Hulu, Rosenblum noted during an NAB Show industry discussion group.
Rosenblum explained that international markets currently comprise almost one-third of their revenue. He said that revenue “from international more than covers the production costs of our entire sales of 26 shows.”
He noted that streaming services are becoming useful for library product and new shows, adding that Hulu and Netflix deals for CW content may have “saved the network.”
Rosenblum also stressed the growing importance of social media: “Where Facebook and Twitter can help is when you have shows that are on bubble. Several shows have gotten renewed [in recent years] because networks were aware of how much chatter was out there.”
Google is expected to release its Dropbox competitor, Google Drive, by next week.
Draft specs for the new cloud storage service have leaked. Google Drive will reportedly include 5GB free storage, will work in desktop folders on Mac and Windows systems, and will be available via http://drive.google.com.
TheNextWeb predicts that the service will also feature in-app document editing.
“Now as for the reliability of the information? It’s not at all uncommon for big companies to launch with partners for new features,” explains the post. “When that happens, the partners will often-times have a heads up to integration and specifics, and that’s exactly what appears to have happened here as it did with the Lucidchart leak from last week.” (The earlier report showed a leaked page for linking Google Drive to online diagramming tool Lucidchart for automatically syncing documents in the cloud.)
Skitter has announced an affordable alternative for cord-cutters with its video streaming service that provides local stations via the Internet.
“Launched recently in Portland during March 2012, an Atlanta-based video platform company named Skitter has started streaming ten broadcast channels that includes CBS, the CW, TBN and two PBS affiliates at a price of $6 a month for the basic package,” reports Digital Trends.
“Accessible through the Roku platform as well as the Western Digital Live set-top box and the Western Digital TV Live Hub, Portland consumers can view upcoming programming through a channel-grid guide and watch live television without the need for an external antenna.”
Skitter has plans to launch in five additional markets in the upcoming months that will reportedly include NBC, FOX and ABC. The cost is expected to run $12-15 per month. The company hopes to go nationwide in the future.
“A similar service called Aereo launched in New York City earlier this year for a cost of $12 per month, but has come under legal pressure from local broadcasters due to claims of copyright infringement. While the concept of the service is the same, Skitter is avoiding the legal kerfuffle by obtaining retransmission licenses from broadcasters in order to bring the service direct to consumers. Skitter was already acquiring these licenses to sell their technology to telco operators in areas around the country,” explains the article.
The NAB has announced it will set aside $3 million a year for a new lab designed to help broadcasters keep pace with digital media.
Kevin Gage, formerly of Warner Bros. and NBCUniversal, has been hired as the organization’s first chief technology officer. Gage will be responsible for running the new lab, among other duties.
According to TVNewsCheck: “…for now the lab will not be a place you can visit. It will be more of an investment fund, he says, seeking out the best ideas for improving the broadcast media and nurturing them with infusions of cash.”
“[W]e’re now in a situation where we can start innovating and using new technologies that are out there to be able to connect with the consumer in ways that we have never connected before. That’s really what the lab is there to do,” says Gage.
In an interview with TVNewsCheck, Gage discussed some of the projects he plans for the new lab: “In radio, we’re working on an AM engineering study that we kicked off in the last fiscal year, as well as HD radio in FM. And then on the TV side, we’re fostering innovation with mobile DTV, and we are moving forward to potentially a new broadcast standard. What would be the ramifications and the benefits of being able to go to something different in the future?”
Cloud computing has a strong presence at this year’s NAB Show, with big companies such as Amazon and Microsoft touting its possibilities.
The cloud is being promoted to meet the capacity needs created by the ever-increasing demand for higher image resolutions. Amazon Web Services and Microsoft’s Windows Azure Media Services are two solutions designed for broadcasters.
“With media production being a prime candidate for cloud services given its project-specific nature (think rent versus buy) and typically collaborative-approach, it comes as no surprise that the cloud industry is descending on Vegas and the broadcaster association put together a cloud-specific channel for the show this year,” reports Wired Cloudline.
“We’ve reached an inflection point in the industry where the studios — which have made do with just enough compute capacity that they could keep up but now that more of their work is going digital, scaling that infrastructure is difficult and expensive,” said Grant Kirkwood, CEO of Unitas Global, which is demonstrating its cloud-based rendering solution at NAB.
“With the increase of resolution from 2K to 4K being the standard, the amount of data to be rendered is through the roof. If I’m a visual effects studio, I’m going to have to render a film at 24, 25 and 30 frames per second [for TV, Blu-ray and movie formats.] At the resulting 79 frames per second, using 4K resolution, each frame is 24 gigabytes of data. Imagine what that means for a two-hour movie,” Kirkwood said.
An increasing number of consumers watch their television while using an iPad to surf the Web at the same time, according to a new study.
Forrester Research suggests that 85 percent of tablet owners in the U.S. use their devices while they watch TV, and 12 percent claim they watch less TV since they got their tablets.
Additionally, about 35 percent of tablet owners say they now use their laptops less, and 45 percent say they have no plans to purchase an e-reader.
“Smaller TVs in other rooms, like the bedroom and kitchen, are also being displaced by tablets,” reports MediaPost. “About a third of tablet users say they will not buy another small TV, while only 7 percent say the same about large-screen TVs.”
A number of companies are launching new services and apps designed to maintain viewer interest across the two screens.
The Forrester report rates Amazon, Apple, Facebook, Google, and Microsoft in this space. “It identifies Apple as the early tablet-TV leader, courtesy of the iPad. With 55 million of the devices sold worldwide since December, no other tablet has attracted nearly as many developers,” explains the article.
The global media technology industry is expected to grow to nearly $30 billion over the next three years, according to new research from the International Association of Broadcasting Manufacturers (IABM) released at NAB.
“Europe is expected to take 40 percent of the global market pie, according to the fourth edition of IABM’s Global Market Valuation Report, followed by North America at 29 percent,” reports TVNewsCheck.
Services will remain the primary business driver, explained IABM’s Peter White during an NAB presentation Saturday.
“Research showed year-over-year sales growth of 3 percent, and the number of companies in profit growing to 71 percent, although year-over-year profit was down 7 percent,” according to the article.
Clyde Smith, SVP of new technologies for Fox Network’s engineering and operations, shared IABM’s optimistic outlook and enthusiasm regarding multi-platform content delivery.
“I see a change less driven by annual budget cycles and more driven by business opportunities and the opportunity to provide efficiency in operations,” Smith said at the presentation. “If you can improve the efficiency of the organization… you’ll get the funding for moving forward.”
Mobile DTV has a significant presence at this week’s NAB show in Las Vegas (April 14-19).
In addition to vendor booths touting mobile DTV solutions, demos are taking place at the Mobile DTV Pavilion (sponsored by the Open Mobile Video Coalition) and the ATSC Tech Zone, run by the Advanced Television Systems Committee.
“With more than 120 stations now on the air with mobile DTV signals and two new business groups ramping up for launch, now is the time to see the new products and services that will make mobile DTV an indispensable service,” said Vince Sadusky, president of the OMVC and CEO of LIN Media.
The Mobile Content Venture and the Mobile500 Alliance are the two groups referenced by Sadusky.
The first is “a joint-venture of 12 major broadcast groups” that has “announced alliances with consumer electronics manufacturers to bring new mobile DTV-capable devices to market and to develop external devices that will allow existing iPads and smartphones to receive live broadcast signals,” reports Broadcasting & Cable. The Mobile500 is comprised of “50 member companies that hold licenses to 437 TV stations.” At NAB, the alliance is showcasing “its solution that offers live TV, DVR type functionality for recording live TV, on demand programming, social media integration, closed captioning and interactive advertising.”
“A new range of Mobile DTV receivers will be bringing mobile viewing innovations to viewers across the country, making local news, weather, sports, entertainment and emergency alerts immediately available to people no matter where they are located,” added Sadusky.
Oracle and Google are meeting in a San Francisco federal court this week to begin an intellectual property case that could have wide-ranging implications for software development.
“At issue is Java, the software platform Oracle became owner of when it acquired Sun Microsystems in 2010,” reports AllThingsD. “And the witness list will be interesting: Both Google CEO Larry Page and Oracle CEO Larry Ellison are expected to take the witness stand during the trial; as will former Sun CEO Jonathan Schwartz and Andy Rubin, the Google senior vice president who runs its Android and mobile operations.”
Oracle claims that Google illegally used elements of the Java programming code to build the Android OS.
Google claims the lines of code cannot be copyrighted because it would be the same as copyrighting a technique used to perform a task.
“This is a new and controversial legal argument that has software developers watching the trial closely,” suggests AllThingsD. “Google has argued that APIs shouldn’t be subject to copyright protection, because they’re more akin to tools and techniques that programmers use to build software.”
Netflix CEO Reed Hastings lashed out against cable provider Comcast via his Facebook page on Sunday. The subject: Net neutrality and data caps.
Hastings accused Comcast of offering preferential treatment to its own content with its Xbox 360 Xfinity app.
“As he explained on his Facebook page, his complaint is that when Comcast subscribers watch Netflix, Hulu, or HBO Go on their Xbox consoles, it counts against their monthly data limits,” reports CNET. “However, subscribers who use Xfinity don’t have their limits dinged, suggesting that Comcast is giving its service preferential treatment to keep subscribers on the service rather than straying over to Netflix.”
Hastings claims that Comcast’s policy of exempting the app from data caps while enforcing the policy for rival providers violates the spirit of Net neutrality.
“Comcast no longer following Net neutrality principles. Comcast should apply caps equally, or not at all,” he wrote via Facebook. “The same device, the same IP address, the same Wi-Fi, the same Internet connection, but totally different cap treatment. In what way is this neutral?”
D-Link has launched its new $48 MovieNite video streaming player. The streaming-only player is designed for aspiring cord-cutters, as an affordable alternative to Roku set-top boxes.
MovieNite is being offered exclusively through Walmart with a $5.99 free movie credit from VUDU.
The player features 1080p video and access to services including VUDU, Netflix, Pandora and YouTube. D-Link has also released iPhone and Android apps for controlling the player.
“The closest match to video playback specs in Roku’s lineup of products is the $79.99 Roku 2 XD, but Roku players offer access to wider variety of services such as Hulu Plus, Amazon Instant Video, HBO GO and several sports subscriptions packages,” reports Digital Trends.
Since Walmart owns VUDU, it seems unlikely that the player will expand its offerings to include competitors such as Amazon Instant Video.
“If the user also owns mydlink-enabled network cameras, the feeds from those cameras can be viewed through the MovieNite player as well,” adds the post. “For instance, a user could pause a movie playing on Netflix to launch the mydlink application and view an outdoor camera feed when someone knocks on the front door.”