DP Art Adams discusses the future of technology and the importance of creative talent behind its use.
“Honestly, I’m not so concerned about our technological future: things will always get better, faster and easier over time. My concern is how we, as humans, will relate to technology,” writes Adams. “The last few years have seen a shift in focus from the people to the tools, and that’s a dangerous path to follow.”
“As cinematographers we should be selling ourselves on our unique vision and abilities, but instead we often find ourselves selling gear,” he comments regarding what he sees as a disappointing trend.
“Somehow the focus must be shifted from the technology back to the people who use the technology, because that’s where all the creativity is.”
Adams suggests producers and directors use the same approach that he uses with his own crew: 1) Hire good people who can do their jobs better than you can do their jobs; 2) Tell them what you want; 3) Tell them the parameters (time, budget, etc.); 4) Let them use their creativity and years of experience to solve the problem in their own way; 5) Repeat.
Epson Japan announced the Moverio this week, a see-through 3D head-mounted display that the company claims is the first of its kind.
“Think of it as a mix of NEC’s transparent HMD Tele Scouter and Sony’s cool 3D OLED head mounted display HMZ-T1, powered by Android OS,” reports TechCrunch.
Epson’s Moverio is lower resolution than the Sony HMD, but at 160g is much lighter in weight.
“The Moverio supports MPEG-4/MPEG-4 AVC/H.264 video files, including side-by-side 3D images on its 0.52-inch displays with 960×540 resolution,” indicates the post. “It handles AAC and MP3 audio files, too.”
The HMD is expected to hit Japanese stores later this month at a price equivalent to $770.
According to a new report from analytics service provider Ooyala: “On average, tablet viewers watched videos nearly 30 percent longer than when watching on their desktop.”
Additionally, tablet users are twice as likely to watch their videos to the end. “Videos 10 minutes or longer accounted for 56 percent of the time played on tablets and 84 percent played on connected TV devices and game consoles,” indicates the report.
ReadWriteWeb adds, “non-traditional TV watching devices such as cord-cutting boxes like Boxee and video game consoles tripled the amount of videos they played during the last quarter, although they still have a minute market share.”
And according to results featured on Ooyala’s blog, Apple continues to dominate in this space: “iPads crushed Android tablets in terms of total audience size. iPads accounted for 97 percent of all tablet video plays.”
Ooyala’s “VideoMind Video Index” report is available for download from the company’s blog.
For any old school film fans in our audience, check out the $80 LomoKino analog camera that shoots 144 frames on a single roll of 35mm film (at a frame rate of approximately 3-5 frames per second).
“With the LomoKino, you can give your films a sense of style, all the while escaping the megapixel-obsessed society we live in today,” reports Digital Trends. “You can even pair it with the LomoKinoScope so you can watch and enjoy the movies you’ve created.”
With HD getting all the attention of late, “it’s nice to see a cool new analog camera enter the fray and represent the colorful, unique, and sometimes blurry world of Lomographic photography.”
The LomoKino site features some interesting package deals, including the $150 “Film Noir” bundle: LomoKino & LomoKinoscope, Lomography Lady Grey B&W 400 35mm (Pack of 3), Lomography Lady Grey B&W 400 35mm (Pack of 3) & Lomography Earl Grey B&W 100 35mm (Pack of 3).
You can also check out some sample footage on the LomoKino site.
Motorola Mobility has been talking Android-based cable boxes for some time, and now images of a 6-inch Android 2.3 tablet codenamed “Corvair” have leaked.
Reportedly “designed for use in the living room,” the device is currently in testing with cable companies.
Based on the leaked images, features may include a custom version of Android, IR control, RF4CE (a ZigBee-based RF control protocol), and a high-capacity 4,000mAH battery.
According to The Verge: “…the box calls it a ‘dedicated controller,’ but it also seems to show the tablet wirelessly displaying its entire UI on the TV, so we’re guessing it can be used to watch and stream content in addition to serving as a remote control for one of Motorola’s cable boxes.”
Panasonic has announced its first all-in-one 3D point-and-shoot camera.
The Micro-Four-Thirds Lumix DMC-GX1 features “16.01-megapixel Live MOS sensor and Venus Engine, designed to deliver high-resolution stills and video with image rendering and high quality color reproduction,” reports TWICE.
The $700-$950 GX1 records 1,920×1,080/60i video, with 30p sensor output in the AVCHD format. According to the report, the new camera “is positioned as an upgrade to the Lumix DMC-GF. In includes an new ultra-fast auto focusing system and includes a built-in flash and a hot shoe allowing for such accessories as external electronics viewfinder.”
Additionally, the $500 Lumix DMC-3D1 is another P&S 3D-capable offering. It uses two 25mm ultra-wide lenses with 4x optical zoom extensions and has a 12-megapixel MOS sensor.
“With its twin-lens design, the Lumix 3D can even shoot HD video through one lens and 2D photos from the other,” says said Darin Pepple of Panasonic, “thus getting still and moving content simultaneously, a unique shooting feature which Panasonic provides so users can stretch their creativity.”
Horror fans are resurrecting the VHS format to enjoy films of the 1980s, “the kind in which brains were made of Jell-O and the cast was paid in wine coolers,” suggests The New York Times.
“It’s hard to get into the aesthetic of shakycam, pretty people, safe scares — like something jumping out at you — and the digital photography and CG blood,” says Evan Husney, director of Drafthouse Films.
These fans prefer dusting off their VCRs to viewing via tablets or DVD. As a result, several distributors are re-releasing select 80s titles on VHS.
“You just don’t get the same feeling in a pristine print of a DVD,” explains blogger Dan Kinem. “With VHS it’s like I’m experiencing an old grind-house movie theater. I would never watch them on a computer.”
Additionally, VHS nights are emerging at theaters such as Cinefamily in Los Angeles; the Alamo Drafthouse in Austin, Texas; and at the Spectacle Theater and Nighthawk Cinema in Brooklyn, New York.
Leichtman Research Group reports 44 percent of U.S. households with TVs have a DVR, up from 8 percent in 2005.
LRG also found that one-third of DVR households have more than one DVR, and 73 percent of digital cable subscribers have used VOD.
“On-demand TV viewing in the forms of DVR and VOD, as well as Netflix streaming, have significantly increased in terms of usage and popularity over the past few years,” said Bruce Leichtman. “Yet these on-demand TV platforms remain largely complementary to traditional TV services and viewing, with about 90 percent of all TV viewing in the U.S. still being via live TV.”
Additional LRG findings (on a scale of 1 to 10, with 10 being excellent): 80 percent of DVR owners rate the service 8 to 10, 62 percent of cable VOD users rate the service 8 to 10, 63 percent of Netflix subscribers rate the Watch Instantly feature 8 to 10, 20 percent of Netflix subscribers use Watch Instantly daily.
Stockholm-based Tobii Technology is introducing a one-off arcade machine called EyeAsteroids, a game that recognizes eye movement as its control mechanism, dismissing “the idea of using joypads, joysticks or flailing your arms around like a whirligig in order to play games,” reports Pocket-lint.
“EyeAsteroids is similar to the classic arcade unit from 1979, but with no physical control mechanism.”
The company, known for its eye-tracking communication aids for those with special needs, claims the technology is faster than gesture recognition. According to its website, the company provides related technology for research fields and computer controls in areas including hospitals, diagnostics, vehicle safety, gaming and computer manufacturing.
“We believe the addition of eye control to computer games is the most significant evolution point in the gaming industry since the introduction of motion control systems, such as the Nintendo Wii,” said Henrik Eskilsson, Tobii’s CEO. “Gaze interaction is fast and intuitive, adding an entirely new dimension to video game interaction.”
The Tobii EyeAsteroids prototype is starting its world tour in New York City today and will be on display at January’s CES in the South Hall.
Wall Street Journal tech columnist Walt Mossberg looks back on two decades of consumer electronics and the impact of tech innovation on our personal and professional lives.
The first line of his first “Personal Technology” column in 1991: “Personal computers are just too hard to use, and it’s not your fault.”
Mossberg takes a trip down memory lane recalling the era of his early reports: “Mobile phones were huge bricks. Digital cameras for consumers cost a fortune and took monochrome pictures. Digital music players and video recorders, e-readers and tablets were nowhere to be found.”
From Motorola’s MicroTac Lite pocket-size phone ($1,500-$2,500) in 1992 to Apple’s popular iPad today, Mossberg offers an interesting snapshot of personal technology spanning two game-changing decades.
Featured in the article: AOL, Apple’s QuickTake digital camera, Windows 95, Netscape, Palm Pilot, Sony Vaio, iMac, DVR, Google and more. There’s also an interesting Tech Timeline graphic included.
An increasing number of consumers are switching to digital content for movies, music and books. The approach has benefits, including convenience and cost, but may also be leading to a loss of rights and abilities we’re accustomed to as consumers.
Fortune writer J.P. Mangalindan expressed concerns that systems such as Amazon’s new lending library would change the meaning of ownership since users would be relinquishing actual ownership of content in favor of a rental model.
The ability to stream digital content online has led to the same kind of transformation. Services such as Spotify and Netflix have allowed users the freedom of streaming content anywhere, and have made subscribing to such a model affordable and convenient.
GigaOM raises an interesting concern: “Apart from our simple human need to own and collect physical objects, however, there’s also the way that renting changes our legal relationship to the content we are consuming. Amazon has shown the downsides of this in the past by actually deleting copies of e-books from people’s Kindles remotely after a complaint by the rightsholder — and those were copies that people had actually bought, not rented.”
If we move closer to a streaming, rental-style model for all content then perhaps consumers would eventually prefer a short-term license to use content over actually owning it. But what if Netflix or Amazon decide to change their terms of service? “What if companies decide you no longer have the right to watch certain TV shows or read certain books?”
Fast Company presents seven new guidelines for public speaking in the era of social media, especially for execs who deliver presentations to tech-savvy audiences.
Don’t assume attendees have drifted off if they’re pecking away at their iPads, suggests the article. They’re most likely tweeting your comments, fact-checking in real time or even trying to start a conversation with you.
“It’s fun to respond to a tweet when I am on stage, and it personalizes the interaction with the audience,” Citibank exec Frank Eliason says.
Common ground for today’s best speakers: “First, none of them depend on word-laden PowerPoint presentations. Second, most are good storytellers and use humor, often self-deprecating, to connect with their audiences. Finally, each of them manages to keep their presentations short enough to allow time for a healthy Q&A.”
Television’s future remains murky as content providers and cable companies get ready for battle, and streaming services continue to gain momentum.
“But change is going to come, and amid news that Google is interested in entering the cable TV business and continued rumors that Apple will be releasing its own branded television set, we also have to wonder what’s going to happen with streaming services like Hulu and Netflix,” reports Digital Trends.
The article suggests it is the cable companies that have the most to worry about (those that control the last model). “Forget applications having a say in all this: The real war is going to be fought between cable networks and the content providers that want to move on to a new format.”
“Farther off, I think [YouTube] will challenge Hulu first. Netflix is more like a library. Google is a beast and you have to keep an eye on those guys,” TalkPoint CEO Nick Balletta says. “They have the muscle and cash to weather the storm.”
Balletta believes adoption of connected TVs will take root by late 2012, and before then we’ll see significant fragmentation before we can truly cut the cord.
Nintendo Wii is the most popular video game console with young Americans (ages 8-to-24), according to a new Harris Interactive survey.
Nearly 6,000 young consumers participated in the study conducted in August 2011.
The poll also lists Apple as the top brand among the 13-to-24 demographic for computers, mobile phones and tablets.
“It’s interesting that the Nintendo Wii rated so highly given that it’s been the lowest selling console for the last year,” reports IndustryGamers. “This shows that Nintendo still has plenty of brand equity among consumers, and with the right products and marketing there is no reason they can’t be the #1 selling console again. The dangers are also clear in this study, as Apple leads in mobile phones and tablets, where games are one of the top categories that seem to be having an effect on handheld console sales.”
Through an agreement with Panasonic Avionics Corporation, United and Continental travelers will be provided in-flight Wi-Fi connectivity on more than 300 aircraft beginning in mid-2012.
According to the press release: “Panasonic’s Ku-band satellite technology offers faster speed than air-to-ground technology (ATG) and will provide connectivity on flights worldwide. The system will also enable wireless streaming of video content.”
The system will initially be installed on Airbus 319 and 320 and Boeing 747, 757, 767, 777 and 787 aircraft.
Additionally, United Continental Holdings expects to have its entire mainline fleet equipped with Wi-Fi access no later than 2015.
DP Art Adams discusses the future of technology and the importance of creative talent behind its use.
