ESPN is planning to shut down its ESPN 3D channel at year’s end. “Due to limited viewer adoption of 3D services to the home, ESPN is discontinuing ESPN 3D,” explained the company in a statement. “We are committing our 3D resources to other products and services that will better serve fans and affiliates. Nobody knows more about sports in 3D than ESPN, and we will be ready to provide the service to fans if or when 3D does take off.” Continue reading ESPN to Shut Down 3D Sports Channel by End of This Year

Apple opened its Worldwide Developers Conference in San Francisco yesterday with a 2-hour keynote address that re-emphasized the company’s coolness factor, its ability to innovate and a return to a focus on design. Apple introduced its much anticipated iTunes Radio music service, new MacBook Airs with improved battery life, a super-fast cylindrical Mac Pro, the Jony Ive-designed iOS 7 with redesigned icons and distinct functional layers, and a new Mac operating system dubbed “Mavericks.” Continue reading WWDC: Apple Unveils New iOS, Cylindrical Mac Pro and More

Formerly known by its codename “Falcon Ridge,” the next generation of Intel’s Thunderbolt interface will officially be known as “Thunderbolt 2.” The Thunderbolt technology has become one of the standard ports for Apple computers, but has experienced slower adoption with PCs. Intel is hoping that the mainstream adoption of 4K video technologies will help drive interest in the next iteration of its high-bandwidth Thunderbolt bus. Continue reading New Thunderbolt 2 from Intel Doubles Bandwidth, Targets 4K

Columbia Pictures’ “After Earth” was screened via a Sony 4K digital cinema projector this weekend during the Cine Gear Expo in Los Angeles. After attendees filled the 500-plus-seat Paramount Theatre on Friday, a second screening was added on Saturday. “After Earth” was among the first feature films produced using Sony’s 4K F65 camera. Sony, Canon and Red are among the major camera makers now able to support 4K. Continue reading Cine Gear Expo: Industry Vets Discuss 4K for Cinema and TV

Eye IO, LLC (eyeIO) announced on Friday that its Ultra HD compression encoding technology has been licensed by Sony Pictures to help the studio offer content on Sony 4K Ultra HD TVs in the home. Owners of Sony 4K TVs will be able to access a number of movies via Sony’s 4K media player, which will launch this summer. The eyeIO technology processes, compresses and encodes 4K source files into a format that requires less bandwidth. Continue reading Sony Pictures Turns to eyeIO Video Compression for 4K Player

Since the debut of Ultra HD 4K TVs at CES in January, Sony has become the first to offer 4K televisions to consumers with its new line of screens available through its Bravia brand. The first 4K Bravia sets are 55- and 65-inch models priced in the $7,000 range, while an 84-inch unit costs as much as $25,000. As an incentive, Sony is including a set of 10 4K mastered Blu-ray movies, and plans to launch a digital download service with more content. Continue reading Sony Launches 4K Bravia TVs, Other Brands Expected Soon

In an effort to boost lagging television sales, Best Buy announced that 700 of its U.S. stores will start selling Sony 4K Ultra HDTVs this week. The home theater departments of Best Buy and Magnolia stores will prominently display the 4K sets and offer demonstrations that tout the benefits of the new format over current 1080p offerings. The demos are expected to emphasize up-scaling capabilities to help attract consumers. Continue reading Best Buy Now Selling Sony 4K Televisions in its U.S. Stores

Home entertainment server maker Kaleidescape opened its own download store for HD movies this week. This new system lets users download “Blu-ray quality” versions of movies that can then be played through Kaleidescape or on the Web and through mobile devices via UltraViolet. However, there is a concern regarding the amount of data each download will consume, as each movie can average around 50GB. Continue reading Kaleidescape Launches Download Store for HD Movies

Netflix is spending billions as television evolves from a linear delivery model to a world of competing apps and new screens. CEO Reed Hastings released an 11-page paper this week on the company’s investor relations site that outlines ambitious plans for the future. While we’ve heard some of Hastings’ points in the past, the paper offers new insights regarding the transition from traditional linear TV to a new era of Internet-delivered on-demand content. Continue reading Netflix Spends Big in Effort to Lead Internet TV Transition

Satellite operator SES announced that in partnership with Harmonic and Broadcom it has created the first Ultra HD transmission in the new HEVC (High Efficiency Video Coding) standard live from an ASTRA satellite. The end-to-end demo was presented at SES Industry Days in Luxembourg. The company claims the new standard features up to 50 percent improvement in encoding efficiency, as compared to MPEG-4 AVC (H.264) broadcasts. Continue reading SES Demos First Ultra HD Transmission in HEVC Standard

During last week’s CinemaCon in Las Vegas, Sony announced that its Digital Cinema Solutions Group is beginning customer trials that will test its “xMassif” Web-based, content exchange platform. According to the company release: “This online marketplace creates a new model for increasing access to alternative, independent and repertory content among content owners, exhibitors and promoters, in an easy-to-use and secure environment.” Continue reading Sony Launches Pilot Program for Content Exchange Platform

A number of interesting camera and related 4K technologies were on display at last week’s NAB show in Las Vegas including Blackmagic’s new $995 Pocket Cinema Camera, the Production Camera 4K from Blackmagic, Phantom’s Flex4K Digital Cinema camera, two new 4K projectors from Christie capable of 60 frames-per-second, and a proof of concept trifocal camera system from Germany’s Fraunhofer Heinrich Hertz Institute. Continue reading NAB 2013: Compelling New Camera and Projection Systems

At NAB in Las Vegas, Japanese broadcaster NHK demonstrated its real-time, over-the-air transmission and reception of 8K for the first time outside of Japan. 8K technology is considered Ultra High-Definition — touting resolution 16 times that of HDTV. The U.S. and U.K. are currently exploring the possibilities of 4K technology, which seems more realistically applicable within the market at this point. Continue reading NAB 2013: NHK Demos Super Hi-Vision 8K Technology

Intel introduced the next generation of its Thunderbolt controller at NAB. It promises a 20Gbps data rate on each of its two channels, doubling the speed of the interface’s current version. The new version, code-named Falcon Ridge, enables simultaneous 4K video file transfer and display and will be backward-compatible with previous versions of Thunderbolt cables and connectors. Initial production is scheduled to begin the end of this year. Continue reading NAB 2013: Next Gen Intel Thunderbolt Offers 4K Support

While 4K Ultra High Definition TV has yet to make it into the living room, the industry is moving forward with new cameras, evolving standards and early television production. Sony Pictures Television, for example, is producing select pilots with digital cinema cameras, while 3Net is forging ahead with its Total D strategy that includes producing versions of programs in both 2D and 3D at multiple resolutions. Initial tests for broadcasting sports in 4K are just around the corner. Continue reading NAB 2013: TV Industry Moves Toward 4K Ultra HD Format