At NAB in Las Vegas, Japanese broadcaster NHK demonstrated its real-time, over-the-air transmission and reception of 8K for the first time outside of Japan. 8K technology is considered Ultra High-Definition — touting resolution 16 times that of HDTV. The U.S. and U.K. are currently exploring the possibilities of 4K technology, which seems more realistically applicable within the market at this point. Continue reading NAB 2013: NHK Demos Super Hi-Vision 8K Technology

In a room at the back of the Cisco NAB booth (North Hall, A113), and in a few session presentations by UK VP of technology Simon Parnall, Cisco is showing its vision of the next generation of in-home audiovisual experiences. The company has prototyped a system that allows browsers to work among multiple tiled screens, seamlessly joined in any configuration, and built into walls in the home. Continue reading NAB 2013: Cisco Unveils Vision of its Second Screen 2.0

JVC first revealed a prototype of its 8K Super Hi-Vision projector at CEATEC in 2008. After five years of development, the company is reportedly ready to ship a product version later this month. The DLA-VS4800, which uses JVC’s e-Shift pixel technology, is expected to initially be made available in Japan for about 25 million yen, or $261,000 U.S. (without the four available lenses). Continue reading JVC Plans to Ship 8K Projector to Japan Later This Month

Sharp showed a 32-inch 4K IGZO monitor, initially aimed at professional applications such as CAD, architecture and medical applications. The Indium Gallium Zinc Oxide (IGZO) technology increases the amount of light transmitted per pixel. Continue reading CES 2013: Sharp Shows 4K IGZO Monitor, 4K and 8K TVs

Texas Instruments was on hand at CES with its DLP Pico Projectors, which can be used for applications from business to the home. The company of course also makes the 4K DLP Cinema chip found in digital cinema projectors from Barco, Christie and NEC, but TI’s strategic production manager Tony Adamson showed caution when asked about 4K for the home. Continue reading CES 2013: Texas Instruments Cautious About 4K for the Home

With an array of 4K televisions taking center stage at this year’s CES, Sharp is showing a prototype 8K (7680 × 4320 pixels) TV in its booth, which the company describe as “The Future of Television.” While the technology is impressive, there are a number of challenges both 4K and 8K (known collectively as UHDTV) will need to overcome — including the cost to consumers, lack of available content, and significant changes to production workflows. Continue reading CES 2013: Ultra High Definition the Future of Television?

The Blu-ray Disc Association (BDA) launched a format extension study task force in late 2012 to evaluate the potential of emerging developments including 4K, 8K, High Frame Rates (HFR) and expanded color resolution. Each technology is being evaluated to determine tech feasibility, market demand and the potential impact on the installed base of Blu-ray players. Continue reading CES 2013: BDA Format Task Force is Exploring 4K and 8K

With entertainment spending growing to $18.7 billion according to IHS Screen Digest, the entertainment industry is reaping the rewards of offering consumers more choice and options in how they consume content. TV Everywhere’s multi-channel, multi-device approach is finally complementing rather than cannibalizing. The year saw strong growth in Blu-ray discs. UltraViolet’s 7 million households and 8,500 titles now position the format to grow significantly in 2013. Video streaming or SVOD tripled in the first three quarters of the year to an estimated $1.7 billion. And studios continue to experiment with their windowing strategies for electronic sell-through. In this environment, the CE industry continues to respond and innovate. Continue reading CES 2013: Entertainment Trends Drive New Technologies

CEA predicts that Ultra High Definition (UHD) will be “prominently displayed” at the International CES. The surge in interest followed an International Telecommunication Union-led agreement on two UHDTV standards (effectively 4K and 8K). That occurred in August and since then the focus in the U.S. and the majority of countries looking at UHDTV has been on the 4K flavor (the main exception being NHK, which is developing its 8K Super Hi-Vision system). Continue reading CES 2013: Ultra High Definition TVs Coming to Las Vegas

The Adler Planetarium and Astronomy Museum in downtown Chicago — founded in 1930 as America’s first planetarium — recently completed a transformation of its 80-year old historic Sky Theater, newly named the Grainger Sky Theater. With its 8K x 8K projection dome, the new theater is being touted as “the highest resolution digital dome ever built.” Next month the Adler crew will unveil “Deep Space Adventure” — an immersive exhibit simulating the formation of the universe. It was created with support from NASA, IBM, the National Center for Supercomputing Applications, the University of California Santa Cruz, the Astrophysics Institute Potsdam, and others.

The production team behind “Deep Space Adventure” is using a variety of modeling software systems, including Autodesk’s Maya 3D and 3ds Max and Lightwave 3D from NewTek, while Adobe After Effects is being used for compositing. The planetarium’s render farm and storage system includes 83 computers with dual processors. The system also uses the Uniview real-time visualization platform that allows users to fly through a computer model of the universe.

The new planetarium can project images, such as those captured by the Hubble Telescope, with more than 5 times the clarity of a standard movie theater. The system uses 20 Rockwell-Collins Zorro digital projectors powered by 45 computers working simultaneously.

Immersive experience designer and integrator, Global Immersion, was contracted by the Adler in April 2010 to design and integrate a high contrast and high resolution experience. As a result, Global Immersion’s Fidelity Black 8K digital theater solution has been fully integrated into the theater. According to the Global Immersion press release: “Powered by Global Immersion’s Fidelity Play comprising forty-six Media Servers, the Grainger Sky Theater is primed for both real-time and playback media and is capable of running at both 30 and 60 frames per second (fps) at 8K resolution. The Uniview real-time data and astronomy visualization platform from SCISS will be used for astronomy presentations.”

The first of these experiences will be “Deep Space Adventure,” debuting July 8, possibly the most technologically advanced space exhibit ever designed. According to the Adler press release: “The Grainger Sky Theater will project the largest single seamless digital image in the world with an ultra high definition screen resolution of more than 8K x 8K pixels. This far surpasses the cinematic standard of 2K x 4K pixels, presenting a level of realism that can only be surpassed by actual space travel.”

“It’s going to be really exciting,” explains Paul Knappenberger, president of Adler Planetarium. “For the first time people will feel that they are flying through space. They will be on an observation deck of an imaginary starship flying through the universe and witnessing, up close and personal, the collision and the merging of two galaxies or the explosion of a star as it goes supernova or they will see the black hole in the center of our galaxy consuming a nearby star.”

Related Global Immersion press release: “Adler Planetarium Chooses Global Immersion for 8K True Black Digital Dome Theater” (5/25/11)

Related Engadget post (includes Adler press release): “Chicago’s Adler Planetarium to start projecting 8K by 8K images from this July, put cinema screens to shame” (4/26/11)

Related PCMag.com article: “3D Universe Map Shows Most Complete Detailed Image Yet” (5/26/11)

Related NTDTV.com article (with video): “Chicago To Open Out-of-This World Planetarium” (5/27/11)