CES 2013: Panasonic Shows Proof of Concept 4K Camcorder

Panasonic demonstrated its interest in 4K through the CES unveiling of a prototype 56-inch 4K OLED display and 20-inch 4K tablet. It is also focusing on production, previewing a proof of concept 4K x 2K camcorder that is aimed at prosumer applications as well as broadcast. The camera will offer a frame rate of 30 fps, but very little additional information was provided. Continue reading CES 2013: Panasonic Shows Proof of Concept 4K Camcorder

New Acer Monitor and Projector Auto-Converts 2D to 3D on the Fly

  • Acer has introduced a home theater projector and 27-inch monitor that can show 3D content from Blu-ray players, camcorders and smartphones.
  • Both devices can also add 3D features to 2D content, according to the company.
  • “Not only can you enjoy 3D movies and other multimedia content at 1080p full HD on both devices, you can also see get your 2D content automatically enhanced with 3D effects without any additional software,” reports ZDNet.
  • The new monitor requires that users wear polarized (passive, no batteries necessary) 3D glasses, while the Acer projector requires Active Shutter 3D glasses (that require charging).
  • The 3D projector is priced at $1,999 and the monitor is available for $599. One pair of glasses is included in each purchase.

Sony NEX-VG20: Focus on Sensor, Sound, Interchangeable Lenses

  • Sony has unveiled its much anticipated NEX-VG20 camcorder, the next-gen version of its popular VG10. The company explains that four key value propositions were considered when developing the VG20: the sensor, sound, lenses and design.
  • Notable features include: interchangeable lens capability, new Exmor APS HD CMOS sensor and BIONZ processor, recording in 1080p (1920×1080), 16 megapixel sensor, ability to save images in JPEG and RAW formats, and recording at frame rates of 24p or 60p.
  • “What really sounds like it’s been improved is the VG20’s audio recording capabilities,” reports Digital Trends. “It includes a Quad Capsule Spatial Array Mic that supports stereo and 5.1 channel surround sound and has a new audio level control.”
  • In its Hands-On Impressions section, Digital Camera Review praised the “comfortable design and smart ergonomics” of the VG20, although expressed some issue with the camera’s heft. The review spoke highly of the LCD screen’s TruBlack technology and ability to rotate 270 degrees, but had issues with the viewfinder: “I appreciated the fact that it displayed plenty of helpful information including resolution, video format, battery life, remaining memory, etc., and I thought that the picture looked pretty crisp. But after having spent some time with the outstanding OLED viewfinders on the Alpha cameras (and enjoyed how closely it projected the image to the eye, so there was little to no border) I felt like I was looking down an extremely long hallway when using the viewfinder on the VG20.”
  • The NEX-VG20 is scheduled for a November release. Price: $1,599 (or $2,199 with the lens mount kit).

Toshiba Introduces Two New Camileo Pocket Camcorders

  • Toshiba recently announced two new additions to its Camileo line of pocket digital camcorders.
  • The 3-ounce Camileo B10 ($120) offers FullHD 1080P and a 16x digital zoom.
  • The 4.7-ounce Camileo P100 ($180) also offers FullHD 1080P, plus a 5x optical zoom and 8x advanced zoom in video mode.
  • Both are Windows- and and Mac-compatible.
Is the demise of the Flip good news for the Camileo line and others such as GoPro, Creative Vado, Kodak Playfull and Sony Bloggie?

New Olympus LS-20M Camcorder Features Dual Mics and 1080p Video

This week, Olympus announced its new LS-20M pocket camcorder that boasts 1080p HD video recording and 24 bit/96 hHz linear PCM audio recording using two condenser mics. Engadget reports that the handheld’s “relatively high-end audio specs should help it go toe-to-toe with Zoom.” (The $300 Zoom Q3HD Handy Video Recorder was introduced late last year.)

According to the Olympus press release: “The HD video compression format makes it easy to upload videos to Facebook, YouTube, iTunes, Vimeo and other web-based content sharing sites, and the resolution offers remarkable detail on modern home theatre systems.” The LS-20M can record audio in stereo as WAV and MP3 formats. It is 5.3 inches in length and weighs 5.4 ounces.

The new camcorder also includes “Magic Movie” special effects settings such as Rock, Sketch, Pinhole and Pop.

In the wake of Cisco’s announcement to discontinue the Flip camera line, the Olympus LS-20M is a potential replacement for consumers and a possible new tool for mobile reporting. The device will be available by June 2011 for MSRP of $300.

Related Olympus press release: “New Olympus LS-20M Unites High-Definition Video and PCM Audio to Capture Sights and Sounds Like Never Before” (5/3/11)

Related Engadget post: “Zoom’s dual mic-equipped Q3HD camcorder now available for $300” (11/2/10)

Cisco Pulls the Plug on Flip Camcorder Division

Wired comments on the demise of the Flip camcorder and questions what could have been done to possibly revive Cisco’s $590 million investment in the no-frills digital video camera (Cisco purchased Flip-maker Pure Digital in March 2009). Wired reports that in the wake of company earnings falling 18 percent in the second quarter of 2011, Cisco will pull the plug on Flip.

In related news, The Wall Street Journal reports Cisco CEO John Chambers has announced a strategic shift at the company that will involve stepping away from consumer-targeted brands and returning to a focus on corporate customers and service providers.

Flip cameras were all the rage in their heyday and spawned a number of similar products from the likes of Kodak and Sony geared toward consumers who wanted to shoot simple video and easily upload clips to the Internet. An unanticipated result of the camera’s portability and durability included uses such as capturing extreme sports footage and gathering b-roll for broadcast news. Affordable mounts for helmets and motorcycles soon emerged, as well as waterproof casings for recording underwater footage, increasing the line’s popularity. So what happened?

Wired suggests that once iPhones and Android phones started offering improved camera capabilities, including HD video recording, the Flip cameras started down a path of redundancy. Second, came the shift to real-time social networking — and without an Internet connection, Flip had trouble competing with other connected portable devices. Consumers began to expect immediacy in terms of media interaction and the ability to post their own content on-the-go.

A Wi-Fi or 3G connection may have been the first step in keeping the Flip alive, but in today’s market it would probably also need a touchscreen with apps to compete.

Related Story: David Pogue offers a different take on the camera line — “The Tragic Death of the Flip” (4/14/11)

UPDATE: Related press release — “Cisco Announces Streamlined Operating Model” (5/5/11)