GoPro has become a leader in small, rugged, low-cost video cameras especially useful for extreme sports, documentaries and reality TV. User-generated content recorded on GoPro cameras has exploded on YouTube and other sites. Millions of professional and amateur users have posted videos online, often proudly labeling content with the term “GoPro,” which has become synonymous with action footage. Now GoPro has plans to become a media company. Continue reading GoPro Looks Beyond Action Cam to Establishing Media Brand

In advance of Amira’s launch at NAB, Arri has sent four prototypes of its new digital camera on tour. One camera is visiting the company’s Burbank facility for early previews and limited testing. The $40,000 shoulder-mount Amira, which uses the same imaging sensor as Arri’s $75,000 Alexa digital cinematography camera, is expected to ship in April. Lighter and smaller than the popular Alexa, the Amira is intended for productions such as documentaries and TV news magazine programs. Continue reading Arri Brings Amira Digital Camera to Burbank for Early Preview

Last week, Facebook finally unveiled Paper, its much-anticipated mobile app that allows users to enjoy a personalized news stream. The app is launching today for the iPhone (an Android release has yet to be announced). Paper is essentially staffed by a computer algorithm and human curators, based on links shared by Facebook’s 1.2 billion users. Paper offers news in sections, similar to those of a newspaper, and uses smartphone tech such as gyroscopes and sensors to help drive interactive navigation. Continue reading Paper: Facebook Launches Mobile App for Streaming News

Crowdsourced music videos of live performances are becoming more and more popular as concert-goers increasingly record shows with their smartphones or cameras. One Neil Young fan named Tom Adams went so far as to piece together multiple recordings of the same performance captured from different angles by other fans in attendance. On top of the video, he added a single audio recording of the concert to create one cohesive video. Continue reading Music Fans Recording Live Performances: Harmless or Illegal?

Video processing company Folded Space announced its deep color content encoding (DCE) and decoding algorithms, which are now available for new HD and Ultra HD displays. The algorithms allow these newest displays to show off more vibrant colors captured by HDR cameras. DCE is a much more efficient process than other similar methods that use a lot of bandwidth, and Folded Space intends to license the encoding algorithm to software partners. Continue reading Folded Space Unveils Deep Color Content Encoding for UHD

Curved TVs were a hot topic at this year’s CES, and many of them were promoted as giving a “3D-like” effect — more theatrical and cinematic. But some analysts are questioning whether there is a need for a curved display. “3D-like” may not serve as an accurate description of the experience for average viewers. Some say it even alters the experience in a way a director might not intend, as the effect could easily be achieved by a special camera lens instead. Continue reading Will Consumers See Any Real Need for a Curved TV Display?

Panel discussions at the 2014 CES about 3D TV made one thing clear: adoption will rely on getting rid of 3D glasses. 3D TV was a big hit at last year’s CES, but was much less prevalent among the 4K madness at this year’s show. Industry execs who are hopeful that the technology will prevail insist glasses-free 3D TVs will get consumers excited about 3D again. James Cameron and his team are in research and development to improve the 3D experience for the Avatar sequels. Continue reading CES: 3D TV Must Go Glasses-Free to Take Off in the Home

Sony introduced its FDR-AX1 Handycam last September, which the company billed as “the world’s first consumer 4K camcorder.” However, its price tag, form factor and extensive features seemed more professional than consumer. At CES, Sony unveiled the more compact and affordable FDR-AX100, which at $1,999 should appeal to 4K early adopters. The Ax100, expected to hit shelves in March, features a 1-inch 14.2-megapixel Exmor R CMOS sensor, larger than those typically found in camcorders. Continue reading Sony Introduces New $1,999 4K Consumer Camcorder at CES

In an interesting addition to the wearables category at CES this year, Panasonic has introduced a 4K video camera that you strap to the side of your face. The waterproof point-of-view camera, set to launch later this year, has a wire connection to a device that you wear on your arm. The prototype is similar to the $244 HX-A100 HD camcorder that Panasonic debuted at the 2013 CES, but is reportedly more powerful inside and includes 4K recording, a fisheye lens and mini-HDMI port. Continue reading Panasonic Intros Hands-Free Wearable 4K Camera and More

Liquid Image unveiled a new mini camera during CES, which is capable of streaming live video to the Internet over 4G LTE wireless. Intended for extreme sports, news coverage and point-of-view footage, the $200 EGO LS will be available in the U.S. in June. Users can record 1080p video at 30 fps or transmit over 4G LTE in lower resolution WQVGA at 30 fps. The camera was demonstrated in Las Vegas attached to a $200 Verizon 4G network module. Continue reading CES: Liquid Image Demos 4G Live Streaming via Action Cam

Canon unveiled new models of its Vixia camcorders and PowerShot cameras at CES, including the $300-$450 Vixia HF R52, HF R50 and HF R500 camcorders with 57x zoom; the $400 Vixia mini X compact personal camcorder with 12.8 megapixel sensor; the $250 PowerShot SX600 HS with 18x optical zoom and 16-megapixel CMOS sensor; the $200 ELPH 340 HS with 12x optical zoom; and the $350 PowerShot N100 digital camera, which includes a new “dual capture mode.” Continue reading Canon Unveils New Vixia Camcorders and PowerShot Cameras

It began Monday night with a low cost 4K camcorder, new 4K TVs and a 4K streaming partnership with Netflix, all announced during Sony’s press reveal. But CEO Kaz Hirai kept the news coming during his 2014 International CES keynote Tuesday morning, as Sony introduced new cloud-based streaming TV and gaming services. These events clearly helped set the tone for a show that was dominated by every aspect of the 4K pipeline, especially TVs, and somewhat surprisingly, streaming services. Continue reading CES Microcosm: Sony Press Events Focus on End-to-End 4K

Industry leaders speaking at two CES panels this week addressed new directions in entertainment media. During the panel “What are the Entertainment Trends at CES 2014?”, wearables were discussed, smartwatches in particular, and what it will take to spark consumer adoption. During “The State of the New TV Business: What Comes Next?” panel, speakers examined how networks are tackling distribution and monetization of content in an era of streaming media. Continue reading CES Panelists Discuss Entertainment Trends and Future of TV

Google Glass moved Augmented Reality from the science fiction depicted in “Minority Report” to the real world. But the technology — which allows the superimposition of data, 3D CGI or video over a real environment, in real time — still has a long way to go. More importantly, the work has barely begun to make AR a revenue-generating business. “We’re not just putting content on top of the world but using context to decide what to display and how to display it, to expand the story and the experience,” said DAQRI CEO Brian Mullins. Continue reading Augmented Reality Needs Powerful Storytelling and Interaction

Intel showed off some ideas for what it calls better computer commands at CES this week, as demonstrated by SVP Mooly Eden. The exec said that touch commands are not the end-all be-all and that gesture and voice commands are more natural ways of accomplishing tasks. Eden introduced a couple of Intel’s newest efforts toward “perceptual computing,” including camera modules for gesture recognition as well as similar software for speech recognition. Continue reading Intel Exec Says Gestures and Voice Commands are the Future