Carnegie Hall Archives

Spotify Revives ‘Kids’ Category with Early Childhood Learning

By Debra Kaufman
August 17, 2016

Spotify is relaunching its “Kids and Family” category, to focus on young children with vocabulary and language-development activities. An emphasis is on music, which improves language development in children ages 0 to 3. Spotify Kids provides playlists around daily activities such as bedtime, bath time and traveling in a car. As an aid to parents, the playlists come with breaks between songs when a prompt, voiced by a celebrity, offers parents ways to interact with their child. Continue reading Spotify Revives ‘Kids’ Category with Early Childhood Learning

Google Cultural Institute Debuts 360-Degree Videos of the Arts

By Debra Kaufman
December 3, 2015

The Google Cultural Institute, a free website that displays collections of more than 800 art museums and historical archives, just went online with a collection of new 360-degree videos exploring the performing arts, with partners that include the Paris Opera Ballet, the Royal Shakespeare Company and Carnegie Hall, among others. The performing arts groups see it as a good way to introduce their offerings to a broader audience that might never think of actually visiting one of these venues for an event. Continue reading Google Cultural Institute Debuts 360-Degree Videos of the Arts

Tweet Seats: Will More Theaters Reserve Sections for Social Interaction?

By Rob Scott
December 5, 2011

Some theaters and performance groups are setting aside “tweet seats,” special sections for patrons to live-tweet during performances.
Rick Dildine, a theater festival director in St. Louis, says tweet seats have “become a national trend.”
“Coast to coast, theaters are experimenting with how to use ‘tweet seats’ effectively,” he explains. “The arts are evolving right now, they are participatory… Social media is a tool we rely on, and we have been unafraid to experiment with it.”
Some have placed tweet seats in the back row of theaters to minimize disruption, while others (including Carnegie Hall in NYC and the Kennedy Center in DC), “have not tried tweet seats and expect audience members not to access their phones during performances,” reports USA Today.
The article cites some interesting success stories of performances incorporating tweet seats, including a recent example involving the Cincinnati Symphony Orchestra (CSO). “Tweeting the CSO’s performance was like attending a members-only social event in the midst of a traditionally formal setting,” said tweeter Jennifer Nissenbaum. “I could communicate openly about my reactions to the music, musicians and conductor — without speaking a word. Plus, I had the opportunity to engage others, and get their reactions to the performance.”