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HPA Tech Retreat: Digital Cinema Opens New Possibilities

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February 21, 2013

During this week’s Hollywood Post Alliance Tech Retreat in Indian Wells, California, industry veterans are discussing the transition to digital cinema and what that means for the future of production, distribution and exhibition. “The industry has spent more than $3 billion… and by the end of this year I predict we will be releasing movies in the U.S. without any film prints,” said Jerry Pierce, chairman of the Inter-Society Digital Cinema Forum. Continue reading HPA Tech Retreat: Digital Cinema Opens New Possibilities

Drive-In Theaters to Receive Help with Digital Transition

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February 6, 2013

The National Association of Theatre Owners (NATO) and equipment supplier Cinedigm plan to help drive-in theaters convert to digital projection. The aid comes as many drive-ins run the risk of extinction since studios plan to stop releasing 35mm film versions of their movies later this year. While most drive-in theaters screen physical film on their outdoor projectors, the move to digital puts the theaters in a difficult position. Continue reading Drive-In Theaters to Receive Help with Digital Transition

CES 2013: Texas Instruments Cautious About 4K for the Home

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January 10, 2013

Texas Instruments was on hand at CES with its DLP Pico Projectors, which can be used for applications from business to the home. The company of course also makes the 4K DLP Cinema chip found in digital cinema projectors from Barco, Christie and NEC, but TI’s strategic production manager Tony Adamson showed caution when asked about 4K for the home. Continue reading CES 2013: Texas Instruments Cautious About 4K for the Home

4K Heats Up: RED Digital Cinema Announces the Scarlet-X Camera

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November 7, 2011
  • RED Digital Cinema has officially released its Scarlet-X pro video camera with Canon EF or PL mount. Panavision, Anamorphic, and Nikon lenses are also compatible.
  • According to the company’s press release: “With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content…The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.”
  • The $9,750 Scarlet-X is available for pre-order on RED.com, while the $14,015 Scarlet-X AL Canon Mount Package includes a power adaptor, 5-inch touch LCD, and a hand grip.
  • “Launched the same day as Canon’s new EOS C300 Digital Cinema Camera, clearly the folks at RED have put some thought into their spec-list and price point,” reports Digital Photography Review. “Whether an amateur or professional film-maker should use the C300 or Scarlet (or perhaps Canon’s forthcoming 4K DSLR) will become an interesting debate in the coming year.”

Technicolor Announces Deals with Cinedigm and Laser Pacific

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July 29, 2011
  • Technicolor announced this week that it would be acquiring physical and electronic distribution assets from Cinedigm Digital Cinema.
  • The deal, which will enable Technicolor to expand its footprint in physical and satellite delivery, is expected to close in September.
  • It allows Cinedigm to sell the assets of its noncore business while growing support of key areas of alternative content and digital cinema operational software, Cinedigm CEO Chris McGurk told The Hollywood Reporter.
  • According to ETCentric contributor Carolyn Giardina of THR: “Technicolor will acquire Cinedigm’s physical and electronic distribution assets, including replication equipment and hard-drive inventory as well as a minimum of 300 satellite roof rights in the U.S. and Canada, resulting in an increase of about 40 percent in Technicolor’s North American satellite footprint, which now will include some 1,100 locations. Technicolor will become Cinedigm’s preferred content servicing partner for postproduction through distribution services.”
  • Technicolor is also acquiring Laser Pacific — the noted post facility that provides feature film, TV, restoration and visual effects services. (Laser Pacific was purchased by Kodak in 2003 for $30.5 million, and was sold to HIG Capital in 2010.)
  • In related news, ETCentric recently reported that Technicolor and Deluxe have entered into agreements whereby Technicolor will subcontract its 35mm print business to Deluxe in North America, while Deluxe will farm out its 35mm print distribution business in the the U.S. to Technicolor.

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