In an effort to regain revenue lost from shrinking DVD sales, Universal Pictures chairman Adam Fogelson suggested that studios should consider partnering with theaters to test out the idea of premium video on demand. Fogelson made his remarks during a panel discussion at the Cinema-Con convention in Las Vegas this week. Typically, movies are made available on-demand at home about three months following theatrical distribution. Premium VOD would shrink that window. Continue reading Industry Leaders Discuss Possible Change to VOD Window

The end of celluloid film distribution in North America may come as soon as the end of this year, as the transition from film to digital continues. Michael Karagosian, president of MKPE Consulting, said that by the end of last year, 75 percent of worldwide cinema screens had already made the digital transition. This is expected to be an important topic this week at the annual CinemaCon convention in Las Vegas. Continue reading Distribution of Film Prints May Soon End in North America

Just as next-day delivery becomes the norm for online shopping, next-hour delivery is rearing its head in the marketplace. Retail giants like Walmart, Amazon and eBay are testing such services now, providing customers with whatever they want nearly immediately. In order for this to work, supply chains are operating full speed, relying on highly complex algorithms and workers in distribution centers 24/7. Continue reading Forget Next Day Delivery, Retailers Test Next Hour Service

The MPAA released its 2012 theatrical statistics report last week. Among the findings, international ticket sales increased 6 percent to $34.7 billion and China is now second to the U.S. in terms of world markets for theatrical films. California and New York had the highest number of moviegoers in the U.S. Per capita attendance may be declining among teens, but the number of moviegoers across all ages was its highest since 2009. Continue reading Encouraging Numbers: MPAA Releases 2012 Theatrical Stats

Cablevision Systems sued Viacom this week, alleging antitrust violations and representing simmering tensions within the television industry about how TV channels are packaged and priced. The pay TV distributor alleges that Viacom forced it to carry and pay for more than a dozen less popular channels for the right to carry its more popular networks including Nickelodeon, MTV and Comedy Central. Continue reading Will Cablevision Suit Against Viacom Impact TV Bundling?

During this week’s Hollywood Post Alliance Tech Retreat in Indian Wells, California, industry veterans are discussing the transition to digital cinema and what that means for the future of production, distribution and exhibition. “The industry has spent more than $3 billion… and by the end of this year I predict we will be releasing movies in the U.S. without any film prints,” said Jerry Pierce, chairman of the Inter-Society Digital Cinema Forum. Continue reading HPA Tech Retreat: Digital Cinema Opens New Possibilities

Twitter-owned video-sharing app Vine is designed for shooting and sharing short, looping clips with your friends. But what happens when those six-second snippets are delivered in succession to create a larger product? Film production company Oscilloscope is testing this approach by releasing its full-length feature film “It’s A Disaster” in short segments through the app. Continue reading New Film Premieres in Clips on Vine Video Sharing Service

According to Netflix, one in ten of its streaming subscribers have watched its exclusive drama “House of Cards.” On average, each of those viewers has taken in six to 13 episodes so far, of the 13 total available in season one – all of which was made available at one time. This delivery approach intended to capitalize on viewers’ desire to binge-watch entire seasons in short periods of time. Some see this distribution model as a risky proposition. Continue reading Distributing Entire TV Seasons All at Once Has Downsides

Netflix announced a partnership with DreamWorks Animation this week to create an original cartoon series, to debut on the streaming service in December. The premise will be based on DWA’s upcoming “Turbo,” a movie about a snail who gains the power of super speed. “The Netflix spinoff will be called ‘Turbo: F.A.S.T.,’ which stands for Fast Action Stunt Team,” reports The New York Times. Continue reading Netflix and DreamWorks Reach Deal for New Cartoon Series

The Netflix political drama “House of Cards” debuts via the streaming video site today. Directed by David Fincher and starring Kevin Spacey and Robin Wright, the series is the first original programming financed by Netflix, which could take on cable offerings from the likes of HBO and Showtime. It also serves as a new experiment to the distribution model, since all 13 episodes will be made available at once. Continue reading Netflix Debuts Entire Season of New Political Drama Today

Sony is ramping up its efforts to provide 4K content by remastering select productions in the new format and restoring classic movies in 4K. As part of the initiative, Sony Pictures Television will remaster all five seasons of “Breaking Bad” in 4K. We can also expect to see 4K versions of “Groundhog Day,” “Ghostbusters,” “Glory,” “Funny Girl” and “On The Waterfront.” Continue reading Sony 4K Initiative: Studio Remasters Content for Ultra HDTVs

While online video continues to grow, one challenge has involved effective revenue models. YouTube is addressing that hurdle with its decision to launch paid subscriptions for individual channels on its video platform. It is the Google-owned company’s “latest attempt to lure content producers, eyeballs, and advertiser dollars away from traditional TV, according to multiple people familiar with the plans,” writes Ad Age. Continue reading YouTube to Test Paid Subscription Channels on Limited Scale

HBO’s new chief executive Richard Plepler alluded to the fact that a standalone HBO broadband option could potentially exist somewhere down the road. “We recognize that there’s a piece of the audience out there that, if they could get HBO without going through a pay package, we would get it,” he noted, adding that he is hesitant to alienate HBO’s distributors by taking the channel directly to consumers online right now. Continue reading HBO Chief Exec Discusses Possibility of Broadband-Only Play

Tivli understands that young adults today are not watching TV in the traditional manner, but instead they are taking in programming via streaming subscriptions and other online alternatives. The startup is an “attempt to adapt to the ways young people increasingly want to watch TV — through a computer or tablet or video game console — while keeping the existing cable model intact,” reports The New York Times. Continue reading Streaming TV Arrives on Campus, Could Prevent Cord-Cutting

Viki is “the Hulu for the rest of the world,” according to the company’s CEO Razmig Hovaghimian. It takes content from all over the globe, licenses it for cheap and brings it to the U.S. and other countries. The company announced a partnership with Amazon that will add more than 1,000 hours of entertainment from Japan and Korea to Amazon’s Prime Instant service. Continue reading Viki to Expand Reach with Amazon Prime Instant Partnership