Carolyn Giardina of The Hollywood Reporter forwarded us news that the Best Picture Oscar winner “Chicago” has been remastered in Dolby Vision to create a “Chicago: Diamond Edition” Blu-ray that will go on sale next week. The Blu-ray audio for Rob Marshall’s 2002 film also features a new Dolby TrueHD 7.1 mix. Unveiled at CES, Dolby Vision is the company’s tech specification for high luminance, wide color gamut and high dynamic range intended for HD or 4K resolution images. Continue reading Dolby Vision Used for New “Chicago: Diamond Edition” Blu-ray

Part two of “The Hobbit” trilogy, out this week, is back with the much-debated High-Frame-Rate (HFR) 3D format — but with some changes. The 2012 “The Hobbit: An Unexpected Journey” boasted 48 frames per second, but some of the criticism of the format was that the super-HD quality was an eyestrain. The new “The Desolation of Smaug” maintains the HFR; however, director Peter Jackson says he’s toned down the sharpness of the image to make it look more “filmic.” Continue reading Newest Installment of “The Hobbit” Trilogy Improves Upon HFR

The Samsung Galaxy Note 3 was recently released in the U.S., and one of its most notable features is 4K video. But this option has some wondering why such capabilities are necessary for a smartphone. Recording in H264 MP4s at about 48mbits per second is not very high for four times the resolution of HD, suggests Philip Bloom, who questions the compression, codec and stabilization. Overall, Bloom says the Ultra HD is a decent feature — but it will likely go under-utilized by users. Continue reading Samsung Galaxy Note 3: 4K Feature Too Much for a Phone?