By
Carolyn GiardinaJanuary 9, 2013
By
Carolyn GiardinaJanuary 6, 2013
Digital Entertainment Content Ecosystem’s UltraViolet launched in October 2011 and at the 2013 International CES, attendees can expect to hear news and updates from consortium members about the rollout, support and its Common File Format. A booth located in the Grand Lobby of the Las Vegas Convention Center will offer live demonstrations and an opportunity for CES attendees to register for UltraViolet accounts. Continue reading CES 2013: DECE Counts 9 Million UltraViolet Account Holders
By
David TobiaDecember 21, 2012
Tim Squyres has worked as director Ang Lee’s editor for two decades, helping Lee to create films such as “Hulk,” “Sense and Sensibility,” “Caution,” “Couching Tiger, Hidden Dragon,” and most recently, the 3D spectacle “Life of Pi.” The Academy Award nominated editor spoke to The Verge about the new film as well as technological advances in editing. Squyres says he’s seen the finished “Life of Pi” 30 to 50 times because movies are produced in so many different forms: “3D, 2D, IMAX, film, 2D digital, 2D film, and for audio there are 7.1, 5.1, Dolby Atmos, near-field for TV speakers, and more,” he said. Continue reading Editor Tim Squyres Talks Challenges of CG Tigers and 3D for Life of Pi
By
Rob ScottDecember 19, 2012
“’The Hobbit’ gave us a chance to see a movie projected at 48 fps, and, unless he changes his mind, James Cameron plans to show us ‘Avatar 2’ at 60 fps. Others, including Douglas Trumbull, are talking — and working in — 120 fps,” writes Creative COW. While some embrace the change, others are less in favor of disrupting traditional filmmaking and exhibition. “It’s to be expected that many people who’ve spent a lifetime watching and making 24 fps movies object to the look, many calling it similar to TV or video. HFR Cinema simply goes against the grain,” notes the article. Continue reading The Future of Exhibition and Aesthetics of High Frame Rate Cinema
By
Rob ScottNovember 28, 2012