Filmmaker Ang Lee gave a keynote talk at NAB 2016 with editor Tim Squyres and production system supervisor Ben Gervais about the path to creating his upcoming feature “Billy Lynn’s Long Halftime Walk,” which was shot in 3D, 4K, at 120 frames per second. An 11-minute clip from the film ran all afternoon, drawing long lines and buzz. No theater can currently show the movie the way it was shot, but Lee says his curiosity and passion for storytelling led him to explore these formats, which create a compelling immersive experience. Continue reading Ang Lee’s ‘Long Halftime Walk’ to 4K, 3D, 120 fps Filmmaking

Sony Pictures Home Entertainment (SPHE) will release a slate of films in the Ultra HD Blu-ray Disc format in 2016, becoming the second studio, after Twentieth Century Fox Home Entertainment, to do so. As sales of Ultra HD television sets soar, so does the need for Ultra High Def content making Sony Pictures movies a natural fit. Some experts say that growth in Ultra HD may lead to an uptick in sales of Blu-ray Disc players as the best way to watch UHDTV. Lionsgate also announced plans to remaster its top 100 movies in UHDTV. Continue reading Sony Pictures to Release Titles on UHD Blu-ray Disc in 2016

For box-office hit “The Martian,” 20th Century Fox and its Fox Innovation Lab developed a VR experience that will debut as a commercial release in the first half of 2016. The VR experience relies on Oculus headsets but will also be available with other devices. The experience is based on the lead character of the movie, putting viewers into the challenges faced by astronaut Mark Watney on Mars. Filmmaker Robert Stromberg said the “thrilling” experience aims to provoke a wide range of emotions including anxiety and success. Continue reading Fox Innovation Lab to Debut Virtual Reality with ‘The Martian”

Large-screen format theaters have typically played action-adventure blockbusters aimed at the younger crowd. This fall, however, Hollywood plans to release more adult-oriented stories on the bigger screens, and often in 3D. Proof of that trend can be found in the films chosen to open recent festivals, including the 3D “Everest” at the Venice Film Festival and Robert Zemeckis’ 3D “The Walk” at the New York Film Festival. Exhibitors and their partners are also wooing adults to watch 3D films, which peaked in 2013 with “Gravity.” Continue reading Hollywood to Target Older Audience with Large Format Films

Samsung announced that it is partnering with Amazon to offer Ultra HD content. Samsung plans to offer Amazon’s UHD on-demand service in October, in addition to expanding its pre-existing Netflix UHD service in Europe. Samsung, in collaboration with 20th Century Fox and Paramount, converted 40 movies to UHD over the summer to increase the content collection. It should be in the interest of manufacturers to expand 4K offerings in order to spark consumer interest in the new TV sets. Continue reading Ultra HD: Samsung to Offer 4K Amazon and Netflix Streaming

The visual effects community held a town meeting Thursday evening in Los Angeles to address rising concerns regarding the state of the VFX industry. “Pi Day” organizers included community members Bill Gilman and Neha Wickramasekaran. During the event, hosted by VFX artist Mariana Acuña, effects veteran Scott Ross and others proposed the formation of a VFX union and a trade association for visual effects facilities. Continue reading VFX Community Proposes Forming Union and Trade Group

Rhythm & Hues Studios, which served as the lead visual effects producer on the dazzling “Life of Pi” film, filed for Chapter 11 bankruptcy on February 13 — just days after the film won four prizes at the annual Visual Effects Society Awards and just weeks before it would win the Academy Award for best visual effects. Additionally, the 26-year-old company has laid off 254 of its 718 employees in the LA area. Continue reading Another Visual Effects Company Bankrupt: Time for Change?

Tim Squyres has worked as director Ang Lee’s editor for two decades, helping Lee to create films such as “Hulk,” “Sense and Sensibility,” “Caution,” “Couching Tiger, Hidden Dragon,” and most recently, the 3D spectacle “Life of Pi.” The Academy Award nominated editor spoke to The Verge about the new film as well as technological advances in editing. Squyres says he’s seen the finished “Life of Pi” 30 to 50 times because movies are produced in so many different forms: “3D, 2D, IMAX, film, 2D digital, 2D film, and for audio there are 7.1, 5.1, Dolby Atmos, near-field for TV speakers, and more,” he said. Continue reading Editor Tim Squyres Talks Challenges of CG Tigers and 3D for Life of Pi