Motion Capture Archives - Page 3 of 3

Kickstarter-Funded Lynx 3D Camera Works as Advertised

By emeadows
April 22, 2013

Since a group of students from the University of Texas unveiled the Lynx A 3D camera project on Kickstarter earlier this year, it has raised far beyond the project’s $50,000 fundraising goal. And as of last week, Lynx Laboratories was getting ready to ship out the first cameras. At the DEMO Mobile SF event, Engadget had an opportunity to demo a prototype, watching firsthand as the camera scanned a person’s head in real time. Continue reading Kickstarter-Funded Lynx 3D Camera Works as Advertised

Gollum Actor Andy Serkis on Changes in Motion-Capture Technology

By emeadows
December 14, 2012

In a video interview with Wired, actor Andy Serkis (who plays the computer-generated character of Gollum in the popular “Lord of the Rings” trilogy and the upcoming “The Hobbit”) speaks about his recurring role and about advances in motion-capture technology.

Since the 2001 release of “Lord of the Rings,” motion capture has changed significantly, “bridging some of the ‘disconnect’ [Serkis] felt while filming on separate live-action and motion-capture stages for the original trilogy,” according to Wired.

Serkis recently co-founded a London-based digital-effects house called The Imaginarium, which specializes in motion capture. In the 2-minute interview, he talks about how developments have changed his acting experience and what it was like to return to the role of Gollum.

“It’s still in its infancy in terms of where it’s going to go and the ability that it gives an actor to transform, while retaining a real emotional sort of truth” says Serkis of motion-capture technology. “No matter how big, or wacky, or abstract the design of a character, it still is always rooted in this emotional, truthful actor’s performance.”

SoftEther Develops 3D Motion-Capture Figure

By Dennis Kuba
July 22, 2011

Japan-based SoftEther has developed a 3D motion-capture figure dubbed Quma, designed to create 3D computer graphics and animations.
Quma is essentially a doll with sensors on each of its joints that allows a 3D artist to articulate the motion of characters and capture the positioning in a more intuitive manner (hold up an arm, for example, and the 3D figure on your computer screen will mimic the action in real-time).
The figure simply plugs into a USB port (no drivers or external power required).
3D CG applications for Quma may include video games, robot applications, training and education simulations.
A release date and pricing has not yet been announced. The TechCrunch post features a video demo of the figure in action.

Motion-Capture Technology Improved for Shooting Exteriors

By Tim Miller
July 19, 2011

Twentieth Century Fox’s “Rise of The Planet of The Apes,” premiering next month, made extensive use of performance capture techniques in its exterior shots.
Visual effects house Weta Digital, that developed motion capture techniques for “Avatar,” considers this the next step in the technique’s evolution.
“Avatar” was shot largely on enclosed sound stages, while “Rise” shot motion-capture performances on exterior sets.
Weta Digital created a portable performance capture rig teamed with special LED markers placed on the actors, enabling the production to take place in broad daylight.
“It was like the final step of mixing live-action and digital filmmaking,” explains senior visual effects supervisor Joe Letteri.
Actor Andy Serkis, a veteran of several performance-capture films, is developing a studio and academy to teach the technique, with the goal of making it more affordable and accessible even to lower-budget films.

Animation Technology Behind L.A. Noire Game Draws Attention

By Rob Scott
June 21, 2011

Depth Analysis is getting high praise for the 3D motion-capture technology it used in rendering facial expressions for the new L.A. Noire video game. The Australia-based company is working to perfect a full-body system that will let film directors “drop” actors into their movies.
L.A. Noire is the latest game from the Rockstar Games label (Take-Two Interactive Software). Team Bondi and Depth Analysis have been earning positive reviews for the game’s highly stylized, immersive and cinematic production design (check out the trailer here).
Development on the MotionScan 3D motion-capture system, which uses 32 HD cameras positioned at different levels to capture and create a 3D model, began in 2004. The infrastructure, pipeline and capture rig were all developed from scratch.
Depth Analysis has found success in realistically recreating the detail of actors’ facial performances for its video game and plans to use it more for capturing full-body performances.
The company has also been demonstrating the work-in-progress system to filmmakers. L.A. Noire writer-director Brendan McNamara explains that the appeal of the Depth Analysis system is its ability to drop actors into virtually any setting.
For those interested in a visual demonstration, CNET has posted a 6-minute GameSpot interview with Oliver Bao, head of R&D for Depth Analysis.
According to Bao (in an AWN interview last week): “We’ve managed to reproduce lifelike performances of actors. Getting the data compressed to fit game discs and render back at decent speed and quality have been reasons why this was not possible before. We’ve demonstrated that what you see is what you get; actors have their performances reproduced faithfully to the point that you can lip read what they’re saying in L.A. Noire. This is the first time we’ve allowed gamers to be able to enjoy believable acting on a console.”