Actress Kristen Bell may soon become the poster child for a new era of film production and distribution. Following the success of a new “Veronica Mars” project crowdfunded via Kickstarter, which reached its $2 million goal in just 10 hours, Bell’s upcoming indie film “Some Girl(s)” is slated for a June 28 release in theaters and online through Vimeo’s new VOD platform. This could mark another change in the digital distribution of media. Continue reading Vimeo On Demand Gets Exclusive Distribution of New Movie

Last week, filmmaker Steven Soderbergh dissected the business of making movies when he spoke on the current state of cinema at the San Francisco International Film Festival. Soderbergh, who has achieved success in both the Hollywood system and the independent arena, spoke at length about the challenges faced by today’s artists to get their movies screened in theaters. Based on unprecedented demand, Soderbergh gave The San Francisco Film Society permission to post his keynote video and transcript in its entirety. Continue reading Soderbergh Distinguishes Between Cinema and Movies

Hulu announced yesterday that it has doubled its number of paid subscriptions to four million over the last year. The announcement was made Tuesday morning during the Digital Content NewFronts in New York. The company said it set a new revenue record in the first quarter, but did not specify the amount. Hulu also announced its third and most ambitious wave of original programming that will debut exclusively on the video site this year. Continue reading Hulu Doubles Paid Subscribers, Announces Original Shows

IBM Research now claims the world’s smallest movie with “A Boy and His Atom.” The 60-second movie — certified by the Guinness Book of World Records as the world’s smallest stop-motion film — shows the story of a boy comprised of individual atoms who befriends an atom and interacts with it while playing on a trampoline made of atoms. It illustrates how scientists at IBM’s Almaden Research Lab can precisely move and manipulate individual atoms. Continue reading IBM Releases Smallest Stop-Motion Film in Cinema History

Speaking at the Variety Entertainment Technology Summit, Paramount Film Group President Adam Goodman discussed the need to protect the moviegoing experience, while remaining open to the possibilities that new technologies provide. “With an increasing amount of Paramount’s movies taking advantage of 3D and other innovations in display on the silver screen, he sees theaters continuing to be the first driver of content across the various windows,” reports Variety. Continue reading Paramount Exec Sees Theaters as First Driver of Content

Last week, Cinedigm announced it was partnering with BitTorrent to help promote the release of Dante Ariola’s “Arthur Newman,” starring Colin Firth and Emily Blunt, which debuted in limited release over the weekend. In less than five days, users of the file-sharing app downloaded one million copies of the film’s 10-minute preview. By comparison, the studio’s official trailer had less than 20,000 views on YouTube over the past three weeks. Continue reading Will BitTorrent Prove a Viable Marketing Tool for Hollywood?

Amazon reportedly has plans to launch a television set-top box that would stream video over the Internet to televisions and provide access to the company’s expanding video services, including the Amazon Video on Demand store. The new device, expected as early as sometime this year, would compete with Apple’s set-top box, Apple TV, in addition to video-delivery products from Roku, Boxee, Microsoft and Sony. Continue reading Could Amazon Set-Top Box be an All-In-One Media Center?

Sony Pictures Television has announced the fall 2013 debut of getTV, a new digital broadcast network that will specialize in classic movies. The network is Sony’s third branded channel in the U.S. and will initially be offered on digital subchannels for Univision-owned affiliates. Sony is reportedly pursuing additional station partners before getTV’s official launch. Continue reading Sony Readies Launch of New Classic Movies Network

In an effort to boost slumping home video sales, Hollywood studios are turning to the classics. Films such as “Rebel Without a Cause” (1955), “Cleopatra” (1963) and “Funny Girl” (1968) are scheduled for rerelease on DVD and Blu-ray Disc. Amid a nearly decade-long drop in home video sales of new movies, largely due to rental options such as Netflix and VOD, demand for catalog titles has held up better. Continue reading Consumer Demand for Classic Films on DVD and Blu-ray?

Swedish-based video-on-demand firm Voddler has launched LiveShelf, which the company describes as the world’s first legal film storage and sharing service. It is currently available to users in Scandinavia and Spain, with expansion into Europe and Russia expected shortly. The product combines digital locker technology with file sharing, allowing users to invite friends to stream their legally acquired films via the Internet. Continue reading Voddler Launches Legal Movie Storage and Sharing Service

Facebook announced this week a partnership with Santa Clara-based Rovi Corporation that will integrate the Rovi Video digital entertainment service into the social platform. Rovi’s database of TV shows, movies and celebrity information will be integrated with Facebook profiles, allowing users to share details of content they like. The partnership comes following Facebook’s Timeline update, which includes the ability for users to tell friends what they were watching. Continue reading Facebook Teams with Rovi: TV and Movies Get More Social

In an effort to regain revenue lost from shrinking DVD sales, Universal Pictures chairman Adam Fogelson suggested that studios should consider partnering with theaters to test out the idea of premium video on demand. Fogelson made his remarks during a panel discussion at the Cinema-Con convention in Las Vegas this week. Typically, movies are made available on-demand at home about three months following theatrical distribution. Premium VOD would shrink that window. Continue reading Industry Leaders Discuss Possible Change to VOD Window

Mark Teitell, GM of the Digital Entertainment Content Ecosystem, spoke recently during a Home Media Magazine UltraViolet presentation. Teitell says we should expect a marketing push this year and suggests there will be increased transparency involving the number of titles within the 12 million-plus UltraViolet accounts. During a Q&A session, he also addressed the status of UltraViolet’s Common File Format and in-home disc-to-digital efforts. Continue reading DECE GM Answers Questions About Future of UltraViolet

The end of celluloid film distribution in North America may come as soon as the end of this year, as the transition from film to digital continues. Michael Karagosian, president of MKPE Consulting, said that by the end of last year, 75 percent of worldwide cinema screens had already made the digital transition. This is expected to be an important topic this week at the annual CinemaCon convention in Las Vegas. Continue reading Distribution of Film Prints May Soon End in North America

The video entertainment business is facing disruption as online services such as Netflix, Hulu and YouTube continue to shape media consumption. What if the unavoidable disruption isn’t actually the worst thing for the industry? Some see digital disruption to mean a complete replacement of traditional models, while others see an array of opportunities made possible by expansion of the video business. Continue reading Digital Disruption Could Create New Opportunities for Video