By
Debra KaufmanApril 17, 2019
Disney Research and Rutgers University scientists just created an end-to-end model using artificial intelligence to produce a storyboard and video featuring text from movie screenplays. This kind of text-to-animation model is not new, but this research advances the state-of-the-art by producing animations without annotated data or pre-training. The researchers wrote that the system is “capable of handling complex sentences” and is intended to make creatives’ work “more efficient and less tedious.” Continue reading Disney, Rutgers Scientists Use AI to Generate Storyboards
By
Debra KaufmanApril 12, 2018
Although using AI and machine learning tools in production may remain a lofty goal for some, such tools are already in use in some video workflows, from dailies through mastering. Moderated by Netflix coordinator, production technologies Kylee Peña, a panel discussion described the tools available and how they’re being used in real world applications. Google senior cloud solutions architect Adrian Graham described his company’s now-open sourced TensorFlow technology, and how it’s being used by the M&E industry. Continue reading NAB 2018: Machine Intelligence Toolsets in Video Workflows
By
Debra KaufmanApril 11, 2018
Do Androids dream of making movies? That was the provocative question posed in a conversation at the Future of Cinema conference track at NAB. Universal Pictures head of creative technologies Annie Chang led a discussion with ETC@USC data scientist Yves Bergquist, who is also chief executive of the AI firm Novamente, and IBM Watson Media senior product manager David Kulczar. Bergquist began with the definition of AI: “the design of optimal behavior of agents in known or unknown computable environments.” Continue reading NAB 2018: Potential Impact of AI on Storytelling, Moviemaking
By
Debra KaufmanMarch 9, 2018
With a team of 30 to 35 people, Netflix is creating apps to streamline parts of the production process, such as crew management, scheduling and budgeting. One app, dubbed Move, has been in beta with a few Netflix productions since November. Move, which was built as a progressive web app, replaces all the paperwork related to scheduling shoot days and distributing the script, sending email and SMS to notify the crew of any schedule changes. It was first tested on the second season of “Glow,” and since used on 10 different shoots. Continue reading Netflix Creates Apps for Production, Doubles Down on Mobile
By
Erick MendozaMarch 31, 2015
In the wake of recent hacking incidents, Hollywood companies have become more concerned about protecting their communication and content. Hollywood is turning to various services from companies such as WatchDox, IntraLinks and Varonis to better monitor the activity involving work files being accessed by employees on their personal mobile phones. Using these new services, companies not only protect their most sensitive files, but also manage how to share them with others. Continue reading Hollywood Ups its Security Measures with New Digital Services
By
Rob ScottAugust 25, 2014
The 66th Primetime Emmy Awards will air tonight on NBC, this year with a few social media twists. Actor Aaron Paul, nominated again for his role in “Breaking Bad,” is thanking his fans with another Hollywood scavenger hunt. He recently posted a photo on Instagram promising signed scripts, posters and more. Facebook is providing an oversized tablet designed to let celebs answer questions from fans during the festivities. And Google has posted TV filming locations that you can check out on Street View. Continue reading More Social Interaction Surrounding This Year’s Emmy Awards
By
Meghan CoyleMay 6, 2014
At the 2014 NewFronts presentations, online video content providers revealed that product placement will play a larger role in video content. Just as TV shows feature certain brands, online videos may soon have integrated brands in their story lines. The practice, known as branded entertainment, may provide a new source of revenue for video content providers with original programming. Also, viewers typically find branded entertainment less obtrusive than traditional video ads. Continue reading Branded Video Content Migrates from TV to Online Platforms