Qplay, the video streaming device and app startup launched by TiVo co-founders Mike Ramsay and Jim Barton, will close for business this Friday. The San Jose, California-based company was founded in August 2012 and its $49 Qplay adapter was introduced in February. The startup’s iPad app provided access to free online video sites — such as Vimeo, Yahoo and YouTube — and curated clips based on user preferences. It did not, however, provide access to subscription services. Continue reading Qplay Video Service Shutters Just Six Months After its Launch

Last week, wireless startup Nitero unveiled its first WiGig radio silicon. The low-power WiGig chip is targeted at smartphones, tablets and TVs, specifically to transfer large files in a short range at extremely fast speeds. For example, the WiGig chip can stream 4K video from a TV to a smartphone using high frequency 60GHz waves. Nitero’s 28-nanometer WiGig chip reportedly consumes 10 times less power than competing chips from Wilocity. Continue reading Nitero WiGig Chip Brings Multi-Gigabit Speeds to Smartphones

DirecTV announced that it will offer its NFL Sunday Ticket to certain consumers who do not have a satellite subscription. Sports fans can register via NFLSundayTicket.TV to access streaming of live games on laptops, smartphones, tablets or game consoles. To qualify, viewers must live in an apartment building where DirecTV is not available, attend one of the universities included in DirecTV’s list, or live in metropolitan New York, San Francisco or Philadelphia.  Continue reading DirecTV Introduces NFL Sunday Ticket Free of TV Subscription

In a 6-3 decision last month, the Supreme Court ruled that Aereo was in violation of copyright law by using tiny antennas to stream broadcast TV online to subscribers. Since the court said that Aereo acted too much like a cable company to broadcast without paying fees, the startup attempted to embrace the ruling by offering to pay retransmission fees. Whether or not the new approach will work with the networks (or in court), the U.S. Copyright Office is now siding with the content owners. Continue reading U.S. Copyright Office Suggests Aereo is Not a Cable Company

“Snowpiercer,” a sci-fi film starring Chris Evans and Tilda Swinton, was released June 27 in eight theaters. Just weeks following its theatrical release, the Bong Joon-ho helmed movie was made available via video-on-demand. This new distribution model is part of Radius-TWC’s strategy to bring the movie to a larger audience. The Weinstein Co.’s boutique division is hoping that the early VOD release will keep the buzz going as its release expands to additional theaters. Continue reading Radius-TWC is Experimenting with ‘Snowpiercer’ VOD Release

The new Hearst Digital Studios unit is starting an online channel of fitness and lifestyle videos inspired by Cosmopolitan magazine. For $9.95 per month, viewers can subscribe to CosmoBody, which will stream video content on-demand to the iOS app, the Android app, and Internet browsers. Hearst plans to launch similar online channels to expand its digital presence as business faces a downturn in traditional print and cable television markets. Continue reading Hearst Launches On-Demand Subscription Channel CosmoBody

The numbers keep rolling in for the FIFA World Cup. Last week we reported that the Germany-Brazil semifinal set new viewing records and knocked out this year’s Super Bowl for the most Twitter activity during a sports event. Now it’s being reported that Sunday’s championship match between Germany and Argentina drew 30 million U.S. viewers, shattering the previous record for a final, thanks in part to the Spanish-language audience. Additionally, new usage records were set for Twitter and Facebook. Continue reading World Cup: New Records for ABC, Univision, Facebook, Twitter

Parks Associates predicts that more than 25 percent of U.S. households will have a streaming media player by 2015. Worldwide sales for streaming media players are expected to reach nearly 50 million by 2017. According to “The Evolving Market For Streaming Media Devices” report, Roku accounted for 46 percent of streaming players purchased in the U.S. last year, and Apple accounted for 26 percent. While Roku leads the U.S. market, Apple holds the worldwide lead. Continue reading Report Predicts Continued Growth of Streaming Media Players

Apple unveiled a new version of iTunes Extras that offers Apple TV users access to bonus content for movies they buy through iTunes. It also enables studios to dynamically update content related to their films. The update comes as Hollywood looks to provide film fans with added incentives to purchase digital movies. In the wake of declining DVD sales, the studios are hoping consumers will turn to digital purchases rather than renting or watching via subscription VOD services. Continue reading Apple TV Users Can Access Bonus Content with iTunes Extras

Netflix, Crackle and Funny or Die all received nominations for the 66th Primetime Emmy Awards yesterday. Netflix earned an impressive 31 nominations, with “House of Cards” and “Orange Is the New Black” both nominated in the best drama and comedy series categories, respectively. Crackle was nominated for Jerry Seinfeld’s “Comedians in Cars Getting Coffee” and the Zach Galifianakis interview with President Obama on “Between Two Ferns” earned Funny or Die a nomination. Continue reading Digital Networks Earn Record Number of Emmy Nominations

To battle the increasing challenges that music labels have experienced with selling albums, some independent labels and their artists have decided to embrace streaming. Drip.fm, a two-year-old subscription streaming and download service, has partnered with Sub Pop Records to provide subscribers with the label’s albums, singles and special exclusives for $10 per month. The idea is to cultivate and monetize the most loyal fans as streaming continues to popularize. Continue reading Indie Labels Adjust to Growing Popularity of Music Streaming

In the wake of the Supreme Court’s ruling that Aereo’s online TV streaming service violated copyright law, company lawyers have filed a letter with a New York district court claiming that Aereo now views itself as a cable provider. If Aereo can obtain a license, it contends that it is entitled to the same protections as other providers paying royalty fees. This is a dramatic shift in strategy for the company that previously said it would shutter if the Supreme Court did not rule in its favor. Continue reading Aereo Shifts Gears, Tells Court it is Now a Cable Provider

According to a Piper Jaffray report, Netflix remains ahead of Amazon’s Prime Instant Video in terms of licensing content, offering more top 50 movies and top 75 TV shows in recent years. Amazon has been heavily investing in exclusives and original content to increase its offerings. Meanwhile, Hulu delivers almost three times the number of top-rated shows as Netflix. Of the top 75 TV series from the 2013-2014 season, Hulu Plus has 57 percent, Netflix offers 20 percent and Amazon 9 percent. Continue reading SVOD: Analysis Looks at Race Between Amazon, Hulu, Netflix

An estimated 160 million phones sold this year will feature 4K video-capable cameras, while only two percent of TVs shipped to North America will have 4K screens. These cameras will be available on high-end models, including the Samsung Galaxy S5, the Sony Xperia Z2 and the LG G Pro 2. Meanwhile, cable, satellite and telecommunications companies are unlikely to move to Ultra HD for a few years as they wait for more TVs to show up in American homes. Continue reading Increasing Number of Smartphones Are Capable of 4K Video

YouTube recently started pointing at Internet service providers when it comes to problems with video playback. When a YouTube video experiences buffer or playback issues, a message that reads “Experiencing interruptions?” now appears under the video. Clicking “Find out why” takes users to a new Google page that lists video playback quality for ISPs of different countries. Last month, Netflix posted alerts blaming a crowded Verizon network when customers experienced grainy video. Continue reading YouTube Takes Cue from Netflix, Blames ISPs for Slow Video