TVs have become the primary viewing platform for YouTube in the U.S., surpassing mobile and desktop by watch time. The platform, which turns 20 this year, has gone from people “filming grainy videos of themselves on desktop computers to building studios and producing popular talk shows and feature-length films.” Content creators are “becoming the startups of Hollywood,” wrote CEO Neal Mohan in his annual letter to the YouTube user base. Mohan emphasized the company’s role in the entertainment ecosystem as 2024 marked the second consecutive year that YouTube was the most-watched streaming platform in the U.S., according to Nielsen. Continue reading TV Surpasses Mobile as YouTube’s Primary Viewing Platform

NASCAR has added a new experience that gives spectators a view from race car cockpits with its new “Driver Cam.” Courtesy of TNT Sports and streaming service Max, NASCAR fans were able to see and hear what went on from the driver POV behind the wheel, choosing from among up to 40 vehicles at the 2025 Cook Out Clash at Bowman Gray Stadium in Winston-Salem, North Carolina this past weekend. Viewers can select and monitor up to four simultaneous feeds with an array of specialized video, audio and graphics features for the duration of the NASCAR Cup Series calendar for 2025, exclusively on Warner Bros. Discovery’s Max. Continue reading NASCAR Rolls Out a Cockpit ‘Driver Cam’ Exclusively on Max

U.S. Representative Zoe Lofgren (D-California) has introduced a bill to thwart foreign-run pirate websites from exploiting loopholes in U.S. law. H.R. 791 — the Foreign Anti-Digital Piracy Act (FADPA) — would allow copyright holders to seek court orders requiring U.S. ISPs to block websites operated by foreign infringers who “present a massive and growing threat — costing American jobs, harming the creative community, and exposing consumers to dangerous security risks.” Lofgren said she worked with members of the tech, film and television industries to craft a proposal that remedies copyright violation without disrupting the free Internet for law abiders. Continue reading MPA Supports Lofgren’s Bill Targeting Foreign Digital Pirates

Free, ad-supported streaming video service Plex is introducing a new user interface and expanding its social media overlay, adding the ability for users to publicly share their Plex profiles and allow others to read and comment on their movie reviews. By default, all Plex users can be searched out by other Plex users within the app (unless they’ve changed that setting). Now, by opting to make profiles public on watch.plex.tv, they can be shared using the link and will also be searchable on the Web, showing what users have watched and have added to their watchlist, and more. California-based Plex offers ad-supported video-on-demand (AVOD) as well as linear FAST channels. Continue reading Plex Adds Public Profiles and Ways to Share Program Reviews

JMGO’s latest ultra-short throw projector, the O2S Ultra 4K, is “the world’s smallest laser TV” and can throw a 100-inch image from 5.75 inches away, according to the company. At CES 2025, the Shenzhen-based company unveiled the O2S Ultra 4K and two other models — the N3 Ultra Max projector with an AI electric gimbal and optical zoom, and the flagship N1S Ultimate 4K. But it was the sleek and tiny OS2 that captured the attention of many at the show. Its shoebox size and throw ratio of 0.18:1 offers flexible room placement. The 4K resolution, brightness of 2,500 ISO lumens and 110 percent coverage of the BT.2020 color gamut all promise crisp, clear images. Continue reading CES: JMGO’s O2S Ultra 4K Projector Throws 100-Inch Screen

Samsung has made a tradition of opening CES with a “First Look” event the night before exhibits open in Las Vegas. This year, that January 6 event introduced the theme “AI for All: Everyday, Everywhere,” with artificial intelligence allowing devices like TVs to intuitively (and sometimes autonomously) make choices that enhance our lifestyle. Samsung sees TV as “no longer just a screen, but a companion that enriches your home.” In addition to displays, Samsung also plans to introduce its “Vision AI” technology across various home appliance and mobile devices in 2025. Continue reading CES: Samsung Aims to Bring Its ‘Vision AI’ to TVs and Homes

Projector company Xgimi unveiled a concept projector screen called Ascend — “the ultimate home entertainment solution” — that was one of CES’s most talked about offerings. A motorized 100-inch (diagonal) Ascend screen that rises from the floor with two built-in Harman Kardon sound bars was paired with Xgimi’s ultra short-throw Aura 2 4K projector for display during the show, which garnered positive word-of-mouth for its sleek design. It was also appreciatively noticed for what Xgimi says will be an affordable price, though the Chinese company stressed the technology is still in development. Continue reading CES: Xgimi Demonstrates 100-Inch Concept Projector Screen

Panasonic reinforced its 2024 reentry into the U.S. television market, introducing three new models including the flagship Z95B OLED at CES 2025. Some say the company’s new top-of-the-line torch bearer — with spatial audio and sizes up to 77 inches — is competitive with premium models from top manufacturers such as Sony, Samsung and LG. The Z95B features a “next-generation” OLED panel “with Primary RGB Tandem technology, which employs a four-layer emission structure that refines the wavelength of light and increases color purity, thus enhancing light efficiency by 40 percent,” according to Panasonic. Continue reading CES: Panasonic OLED is Competitive in Premium TV Category

One of the new television unveilings at CES this year was Hisense’s L9Q, the latest evolution of the Chinese company’s L9 Series of laser TVs first introduced in 2014. Offering five immersive screen sizes ranging from 100 to 150 inches at 4K UHD resolution, L9Q touts the most compact laser TV console (as small as a 12-inch laptop). Its proprietary TriChroma triple-laser light engine emits up to 5,000 lumens with a 5,000:1 contrast ratio and is the first to achieve 1,500 nits full-screen brightness. Each L9Q is paired with one of the company’s Ambient Light Rejection (ALR) screens. The L9Q also supports Dolby Atmos, DTS Virtual X, and eARC for quality surround sound. Continue reading CES: Hisense Introduces L9Q Laser TV with Compact Console

Fitting for a trade show long associated with the latest and greatest television sets, this year’s CES featured a panel titled “The Future of Immersive TV.” The panelists, led by moderator Rick Kowalski, senior director of business intelligence for the Consumer Technology Association (CTA), underscored the biggest current challenge for home entertainment is the fragmentation of platforms on which consumers view content. Multimodal content delivery is impacting production workflows and advertising services. From trends in consumer behavior to emerging technologies, the panel speculated about interactive TV, shoppable TV, and the need for consistent experiences. Continue reading CES: TV Industry Adapts to Expansion of Platforms and Devices

Having commercialized the idea of a TV that displays art in its downtime, Samsung has faced some criticism for The Frame’s performance when it comes to displaying traditional video content. Now the company is attempting to silence the critics with The Frame Pro, a mini-LED TV that promises brighter colors, sharper contrasts and improved local dimming for deeper blacks. Powered by the NQ4 Gen3 AI Processor, “The Frame Pro offers unparalleled picture quality for both artwork and video content,” Samsung claims. It comes with Wireless One Connect, allowing a seamless blend with the environment. Continue reading CES: Samsung Goes Wireless with mini-LED on The Frame Pro

During CES this week, Sony demonstrated a proof-of-concept experience based on the popular HBO post-apocalyptic drama “The Last of Us.” We were dropped into a six-person pod of newly enlisted defenders and assigned to a hardened defender who needed new recruits to combat a serious surge of zombie assaults that she was convinced could be overcome with our assistance. Armed with LED-enabled shotgun-like devices and tracked flashlights to assist our leader in discovering the concealed attackers, our combat leader led us with sharp and direct commands as she guided us through the terrors of the attack. Continue reading CES: Sony Introduces Interactive Experience – ‘The Last of Us’

Extreme brightness, advanced AI and a 165Hz refresh rate for gaming are among the features of the LG’s 2025 OLED evo lineup. Powering the OLED evo M5 and OLED evo G5 series is LG’s freshly minted Alpha 11 Gen 2 processor, with improved power and AI capabilities to take it beyond last year’s G4 series in picture and sound. LG calls the line the world’s first wireless OLEDs, with the ability to transmit throughout the home. LG’s Brightness Booster Ultimate — offering “brightness three times higher than conventional OLEDs” — and the Alpha 11 Gen 2 processor enhance the package. Continue reading CES: LG Wireless OLED TVs Boost Brightness, Include AI Tech

Hisense is going high-end at CES 2025, with two XXL-size TVs that leverage new display technology. For 2025 the company has queued up a 136-inch micro-LED TV and a 116-inch mini-LED TV that uses RGB backlight for improved color. The Chinese company’s 2025 TVs all feature a new Hisense Hi-View AI Engine X processor that the company says is faster than last year’s and uses artificial intelligence to optimize the picture and sound, as well as energy consumption. The models also have built-in ATSC 3.0 tuners for NextGen digital TV broadcasts. No word yet on pricing or availability. Continue reading CES: Hisense Goes Big and AI with New Micro-, Mini-LED TVs

TCL’s new QM6K series of mini-LED TVs is turning heads at CES 2025 for its combination of high-end features, low price, and fact that it is available now, starting at $750 for the 50-inch model, going up to 98-inches for $3,500. Featuring a bezel-free design, the TV is powered by the company’s proprietary AiPQ Pro Processor, a Super High Energy mini-LED chip that TCL is using on all its 2025 mini-LED TVs. The company says the AiPQ Pro produces 53 percent more brightness and has 500 local dimming zones controlled by TCL Precise Dimming, debuting on the QM6K series. Continue reading CES: TCL’s QM6K Series TVs Boost Brightness by 53 Percent