“TV networks may have plenty of flaws, but one thing they’re really good at is promoting other TV shows,” writes AllThingsD. But what about Netflix? The streaming service does not have experience promoting its own shows and does not have advertising support from TV networks. How will it advertise new shows like “House of Cards” (to launch in February) and “Arrested Development” (due in May)? Continue reading Netflix Markets its Original Content Without a TV Network

Viki is “the Hulu for the rest of the world,” according to the company’s CEO Razmig Hovaghimian. It takes content from all over the globe, licenses it for cheap and brings it to the U.S. and other countries. The company announced a partnership with Amazon that will add more than 1,000 hours of entertainment from Japan and Korea to Amazon’s Prime Instant service. Continue reading Viki to Expand Reach with Amazon Prime Instant Partnership

Twitter recently acquired Vine, an easy-to-use new app that allows users to share six-second looping video creations with friends on social networks. “Instead of the standard video-sharing experience, you record videos by holding your finger on the screen. By lifting your finger, you can momentarily pause the recording, making it possible to create a miniature narrative out of multiple scenes,” explains Wired. Continue reading Twitter Acquires Vine, Hopes To Spark More Video Sharing

The latest project from showrunner Tom Fontana, writer/producer of acclaimed shows such as “Homicide: Life on the Street” and “Oz,” is not currently available via cable or broadcast in the U.S. Instead, the historical Vatican drama “Borgia” was launched without a network, has aired in France, and is now looking to additional options, including streaming. Adweek talks with Fontana about the unorthodox path the show has taken. Continue reading Vatican Drama Borgia Takes Unconventional Distribution Path

Cisco forecasts that by 2016 all forms of video (TV, VoD, Internet, and P2P) will account for some 86 percent of global consumer traffic. So how are they addressing such a future? At CES, the company presented its vision for the “Future of Television” by showcasing its newest version of Cisco Videoscape Unity, a hardware/software platform for video service providers (and we have video). Continue reading CES 2013: Cisco Intros New Take on Videoscape Unity (VIDEO)

The HP Pocket Playlist is a surprising little drive HP is demonstrating at CES this year. It’s a portable storage device that allows for the streaming of unencrypted content to up to five mobile devices at one time. The company says it can hold up to 16 full-length movies, 7,600 songs, 10,000 photos, or any combination of those (assuming 2GB per movie, 4.3MB per song, 3.2MB per photo). Continue reading CES 2013: HP Unveils $129 Mobile Wireless Storage Expander

YouTube has released a new basic iOS camera app that uploads automatically and makes sharing to social networks as easy as pushing just one button. Simply called Capture, it “comes with a few key features that make it superior to the default iOS camera app: It offers image stabilization and color correction, and users can trim clips and even add a YouTube-approved soundtrack,” reports GigaOM. Continue reading Google Aims to Replace iPhone Camera App with YouTube Capture

The pixel might be on its way out, if a team of British researchers have their way. They’d like to see the vector take over within the next five years, reports ExtremeTech. While vector graphics are well suited for illustrations, clipart, maps and typography, bitmap (which is a grid of pixels) graphics are used for all else, including streaming videos, digital cameras, movie editing, video game textures and more. Continue reading Vectorized Streaming Video: British Researchers Aim to Kill the Pixel

We’ve been following this year’s legal battles of Aereo as major broadcast networks have sued the online TV startup over copyright infringement. Since the service streams TV signals of New York stations for a monthly fee without paying for the right to carry signals, Aereo has created an uproar in the television industry. Now Aereo has begun paying for content, after adding Bloomberg TV to its program lineup.

“We believe that our members will see deep value adding in Bloomberg Television as their ‘go-to’ source for financial news,” said Aereo founder and CEO Chet Kanojia in a written statement. The service also plans to announce expansion to 15 new cities early next year. Kanojia recently said that Aereo is pursuing additional content deals.

“Meanwhile, Aereo and major broadcasters are awaiting a critical decision from an appeals court in their legal battle,” notes the Wall Street Journal. “Last month broadcasters argued their appeal of a lower court’s decision in July denying the broadcasters’ request for a preliminary injunction shutting down Aereo’s service.”

The legal battle could take years to be resolved. “Without a preliminary injunction, Aereo has time to expand and streaming competitors also have a chance to emerge,” notes WSJ.

A federal appeals court panel is skeptical whether streaming service Aereo has the right to retransmit broadcast television content without permission, but has yet to issue a decision. Three judges of the 2nd U.S. Circuit Court of Appeals appeared ready to reverse July’s lower court decision that reluctantly gave Aereo approval.

ABC, CBS, Fox and NBC are among the networks appealing the lower court judge’s decision that cited a Cablevision DVR case to allow Aereo to operate.

“Cablevision was a storage service, not a retransmission service,” says Bruce Keller, the networks’ attorney. “Aereo is a retransmission service by its own design. Without a license, it violates copyrights.” Paul Smith, another lawyer for the broadcasters, told the panel that the startup was trying to turn the Cablevision case “into a complete carte blanche where people can violate copyrights.”

Meanwhile, Aereo insists that it is complying with copyright laws and provides a legal, alternate platform for free TV broadcasts. Attorney R. David Hosp argued that Aereo lets customers “rent remotely located antennas to access content they could receive for free by installing the same equipment at home,” notes the Wall Street Journal.

“Aereo has grown from 100 users to more than 3,500 in the last year and has expanded from Apple devices such as the iPhone and iPad to devices including Windows computers,” reports WSJ. “It lets customers capture broadcasts from 29 local channels with subscriptions starting at $8 a month.”

Watching live television on an iPad currently has limited options. With a cable subscription, for example, users can stream Disney and ESPN shows. Alternatively, New York City viewers can opt for Aereo (but the networks are suing to shut it down). Enter Dyle, which just launched for Apple’s iOS devices. Dyle, with support from NBC, Fox and other top broadcast groups, has released a free TV app for iOS devices that uses broadcast signals to beam licensed programming to viewers. Continue reading Dyle Delivers Live TV to the Apple iPad: Ready for Prime Time?