New panoramic screening technology from digital cinema projector company Barco will debut this month with screenings of the 20th Century Fox film, “The Maze Runner.” To create a panoramic image, Barco’s “Escape” theater configuration uses three projectors and three screens — a primary screen front and center, with two angled screens on either side. While the side screens will initially feature footage created using visual effects, Fox is experimenting with camera setups to produce future movies for Escape. Continue reading Fox Film is First to Screen in Barco’s Escape Theater Format

Lenovo demonstrated its vision for the ultimate in desktop workstation performance, reliability and usability with the introduction of the Lenovo P900, P700 and P500 workstations. The new ThinkStation P Series models unveiled at SIGGRAPH last week in Vancouver are designed to be the most powerful professional-grade desktop workstations available and reflect a focus by Lenovo on customer needs, especially in graphics intensive industries such as visual effects and animation. Continue reading SIGGRAPH 2014: Lenovo Powers Up its ThinkStation P Series

Visual effects and animation workflows — and the technology to make them more powerful, flexible and cost-efficient — are a focus of attention as SIGGRAPH 2014 opens its exhibit floor this week to computer graphics and tech professionals in Vancouver. Nvidia’s next gen Quadro processors, announced this morning, are indicative of tools and technology designed to handle greater complexity and higher resolution; incorporate cloud services; and access projects remotely, often via mobile devices. Continue reading SIGGRAPH 2014: Nvidia Unveils Next Generation Quadro GPUs

Atlantic Productions, a British production company known for its educational programs, documentaries, and Emmy-award winning visual effects, has just launched a new virtual reality studio to create content for Facebook’s Oculus Rift and Sony’s Project Morpheus VR technology. Alchemy’s first project is collaborating with Sir David Attenborough, a celebrated naturalist, to take viewers on a journey to meet the creatures that lived about 550 million years ago. Continue reading Alchemy Virtual Reality Studio Takes Viewers Back In Time

Google’s Project Tango is developing 3D smartphones and tablets that can not only render locations and objects, but can also be used to record 3D images and videos. Mantis Vision’s technology, which will be used in the Google Project Tango devices, creates a depth map of a scene so that users can view an image from different perspectives and add different backgrounds and other 3D visual effects. Other electronics companies are investing in the Mantis technology as well. Continue reading Google 3D Smartphones Will Run on Mantis Vision Technology

Today’s cloud services — including CGI, digital intermediate, asset management and storage — are allowing small productions to realize their big visions with less money. Independent films and live events are more frequently using cloud computing to get the rendering and storage services they need without the high costs of traditional physical infrastructure. Productions can also save money because cloud computing helps speed up the long shooting and filmmaking process. Continue reading Cloud Computing Proves an Asset for Productions on a Budget

Disney has launched a $13.99 iOS app for the iPad that explores the animation and history of all 53 animated Disney films. “Disney Animated” features interactive images, multi-layer animated clips, interviews with animators — and allows users to animate authentic Disney 3D character models and control a Disney visual effects simulation. The comprehensive app is a collaboration between Disney Interactive, Walt Disney Animation Studios and London-based app studio Touch Press. Continue reading New App Brings the Magic of Disney Animation to the iPad

The visual effects community held a town meeting Thursday evening in Los Angeles to address rising concerns regarding the state of the VFX industry. “Pi Day” organizers included community members Bill Gilman and Neha Wickramasekaran. During the event, hosted by VFX artist Mariana Acuña, effects veteran Scott Ross and others proposed the formation of a VFX union and a trade association for visual effects facilities. Continue reading VFX Community Proposes Forming Union and Trade Group

Researchers at the Max Planck Institute for Informatics (MPII) have developed video inpainting software that can delete people or objects from high-definition video footage. How is it done? The software analyzes every video frame and calculates which pixels should replace a moving area that’s been marked for removal, explains Gizmag. The article provides an impressive video demonstration of the technology. Continue reading New Software Can Delete People or Objects from HD Video

Chocolate company Galaxy is offering some classic eye candy for its latest commercial. Production house Framestore used a full CG face replacement technique in order to recreate the late actress Audrey Hepburn to star in the one-minute spot. VFX included extensive pre-shoot facial scanning and a facial action coding system (FACS) to record more than 70 muscle movements and high resolution textures of the CG Hepburn. Continue reading Galaxy and Framestore Recreate Audrey Hepburn for TV Spot

Rhythm & Hues Studios, which served as the lead visual effects producer on the dazzling “Life of Pi” film, filed for Chapter 11 bankruptcy on February 13 — just days after the film won four prizes at the annual Visual Effects Society Awards and just weeks before it would win the Academy Award for best visual effects. Additionally, the 26-year-old company has laid off 254 of its 718 employees in the LA area. Continue reading Another Visual Effects Company Bankrupt: Time for Change?

Technicolor has entered into a partnership with software developer Autodesk to develop tools used for color grading and digital compositing. According to respected colorist Steve Scott, who joined Technicolor in 2012, the objective is to launch a finishing system that provides tools for visual effects and post production. Scott believes a single toolset would ultimately provide more creative control and flexibility. Continue reading Technicolor and Autodesk Partner to Develop New Toolset