The Entertainment Technology Center@USC has begun releasing its case study entitled “Fathead: Virtual Production & Beyond.” Section 1 of the four-part white paper is “Cloud Computing: Growth Without Bounds.” “Everything on this production was done in the cloud, minus the shoot on set,” explains ETC@USC head of virtual & adaptive production Erik Weaver, executive producer of the 20-minute “Fathead” film. “We did some very innovative work, ingesting ARRI Alexa RAW to Amazon S3 buckets on the AWS cloud in real time, which had never been done before and I don’t think has been done since.” Continue reading ETC Releases First Section of Virtual Production White Paper

ETC@USC teamed with Charisma.ai, Digital Domain, Fable Studio and Write Brothers, Inc. to publish a white paper on an innovative character definition tool that enables casting audience members within a story. The goal is to help construct new immersive experiences across different narrative formats using a variety of authoring systems. The proposal features a Universal Character Model (UCM) that houses all motivations, goals and methods of any specific character in order to create consistent behavior within the fluid context of interactive and dynamic stories. The white paper is now available to the creative community. Continue reading Universal Character Model Detailed in Latest ETC White Paper

Facebook published a white paper outlining how it would like lawmakers to regulate the Internet, including a new model for platforms’ legal liability and a “new type of regulator” to oversee the rules governing harmful content. The white paper appeared at the same time chief executive Mark Zuckerberg wrote an op-ed published in The Financial Times and went to Brussels for meetings with European Commission executive vice president/competition commissioner Margrethe Vestager and other senior EU officials. Continue reading Facebook White Paper Reveals Ideas For Internet Regulation

Focusing on the idea of “fixity,” Guidelines for the Preservation of Digital Audio-Visual Assets in the Cloud, the Entertainment Technology Center’s Archive working group white paper is now available online. This Adaptive Production working group, co-chaired by Paramount Pictures’ Andrea Kalas, was tasked with looking into a specific issue regarding archiving in the cloud and settled on pursuing the idea of fixity: an archivist’s term for ensuring the prevention of data loss in digital preservation. Continue reading ETC Archive Working Group Publishes White Paper on Fixity

Facebook is trying to make good on two key promises: to protect users’ privacy and to allow them to move their data elsewhere. But the two goals may not be compatible, and Facebook is looking outside the company to get ideas on how to deliver both. The European Union and California passed laws that require Facebook to make users’ social media profiles easy to move to a competing platform. At the same time, Facebook agreed to enforce data protections as part of a $5 billion settlement with the Federal Trade Commission. Continue reading Facebook’s Dilemma: Achieving Data Portability and Privacy

The Cinema Content Creation Cloud, or C4, an open-source framework for media production using globally distributed resources, is detailed in a new white paper published today by the Entertainment Technology Center@USC. C4 enables interoperability between humans, organizations, databases, software applications, and networks, and is essential to the globally distributed workflows of media production. The framework, written by Joshua Kolden, is a product of ETC’s Project Cloud, a collaboration between studios and technology companies to address key issues as the entertainment industry migrates production into The Cloud. Continue reading ETC Publishes White Paper on C4 Cloud Production Framework

Google claims that it has taken additional measures to make search results more resistant to piracy. According to a new white paper, Google has changed its search-engine algorithms so the sites with a large number of takedown notices appear lower in search results rankings. The company has also enhanced autocomplete and related search, preventing the inclusion of terms associated with piracy. New advertising products will also promote copyright-friendliness.  Continue reading Google Report Explains Enhancement of Anti-Piracy Efforts

Attorneys with the American Bar Association are advising the government on dealing with online piracy through a 113-page white paper titled “A Call for Action for Online Piracy and Counterfeiting Legislation.” While they suggest many measures similar to SOPA and PIPA, the lawyers also advise against suing the file-sharers because it is usually counterproductive, costing more money than they recover, and it can also be bad PR for the copyright holders.  Continue reading Bar Association Pushes for Change in Online Piracy Legislation

As more people now browse the Internet on multiple devices, Web cookies are becoming less reliable and are on their way to being phased out. The question of what will replace the technology points to companies like Google and Apple, which will likely have greater control over the technologies behind online tracking. A white paper by the Interactive Advertising Bureau puts forward possible solutions, such as device manufacturers providing data about their customers’ habits to marketers. Continue reading White Paper Suggests Alternatives to the Fading Web Cookie

In the ongoing battle against broadcasters, Chet Kanojia, head of cloud-based DVR company Aereo said in a statement the company would “not oppose the broadcasters’ petition for certiorari before the United States Supreme Court.” If the Court decides to hear the case in 2014, Aereo could possibly benefit from freed-up resources to expand nationwide. As is, broadcasters’ stand on cloud-based services by Google, Amazon and Apple could threaten those services’ very existence. Continue reading Aereo Not Opposing Broadcasters’ Pursuit of Judicial Review

The Visual Effects Society (VES), the industry’s professional honorary society, released “The State of the Global VFX Industry 2013,” a comprehensive strategic analysis of the business drivers impacting all sectors of the VFX industry working in film production and presentation of solutions to mitigate instability. Initial recommendations focus on improving business and financial management acumen among artists and facilities management through training programs and new standards and practices. Continue reading VES Publishes Analysis: The State of the Global VFX Industry